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Mean Streets (1973)

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A small-time hood aspires to work his way up the ranks of a local mob.

Director:

Martin Scorsese

Writers:

Martin Scorsese (screenplay), Mardik Martin (screenplay) | 1 more credit »
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2,838 ( 269)
5 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert De Niro ... Johnny Boy
Harvey Keitel ... Charlie
David Proval ... Tony
Amy Robinson Amy Robinson ... Teresa
Richard Romanus ... Michael
Cesare Danova ... Giovanni
Victor Argo ... Mario
George Memmoli ... Joey
Lenny Scaletta Lenny Scaletta ... Jimmy
Jeannie Bell ... Diane
Murray Moston Murray Moston ... Oscar (as Murray Mosten)
David Carradine ... Drunk
Robert Carradine ... Boy With Gun
Lois Walden Lois Walden ... Jewish Girl
Harry Northup ... Soldier
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Storyline

The future is set for Tony and Michael - owning a neighbourhood bar and making deals in the mean streets of New York city's Little Italy. For Charlie, the future is less clearly defined. A small-time hood, he works for his uncle, making collections and reclaiming bad debts. He's probably too nice to succeed. In love with a woman his uncle disapproves of (because of her epilepsy) and a friend of her cousin, Johnny Boy, a near psychotic whose trouble-making threatens them all - he can't reconcile opposing values. A failed attempt to escape (to Brooklyn) moves them all a step closer to a bitter, almost preordained future. Written by Dave Cook <cookd@mcmail.cis.mcmaster.ca>

Plot Summary | Add Synopsis

Taglines:

You don't make up for your sins in church. You do it in the streets... See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian

Release Date:

14 October 1973 (USA) See more »

Also Known As:

Season of the Witch See more »

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Box Office

Budget:

$500,000 (estimated)

Opening Weekend USA:

$32,645, 15 March 1998, Limited Release

Gross USA:

$3,132,645
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor) (uncredited)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Scorsese's inspiration for Johnny Boy (Robert De Niro) came from his paternal uncle Joe (the Bug) Scorsese, who was often in trouble with the law himself. See more »

Goofs

When the group is in the car and the old guy is cleaning the car's windshield, after they pull away, the old guy is nowhere around, although there was no time for him to disappear. See more »

Quotes

Johnny Boy: You don't know what happened to me. I'm so depressed about other things, I can't worry about payments. You know what I mean? I come home last Tuesday, I had my money, cash, blah blah bing bing, I'm comin' home, I ran into Jimmy Sparks. I owe Jimmy Sparks seven hundred, like for four months, I gotta pay they guy. He lives in my building. He hangs out across the street. I gotta pay the guy, right?
See more »


Soundtracks

Ritmo sabroso
By Ray Barretto (as Ray Baretta)
Courtesy of TICO Records
See more »

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User Reviews

 
The Scorsese Template
2 January 2007 | by WriterDaveSee all my reviews

Scorsese's first film, the interesting catastrophe "Boxcar Bertha," marked his birth as a director, but it was with his second feature, "Mean Streets" that we witnessed the birth of an artist. Most of "Mean Streets" is slightly unfocused with a simplistic plot based around a lot of machismo grandstanding and long bouts of boring dialog (occasionally made interesting by DeNiro's off-kilter star-making turn as Johnny-Boy), with spats of visceral violence (far less gory here than in later Scorcese pics), and a visual bravado that seems slightly less disciplined but no less entertaining than your standard Scorsese crime flick.

Despite its drawbacks (mainly due to youth and inexperience), the template was set. The opening credits (done to the tune of "Be My Baby") suck you right into the film, and the rest of the movie is peppered with Scorsese's loving treatment of popular music that would later become one of his most endearing hallmarks. The basic premise featuring Harvey Keitel as Charlie (the young hood with a heart of gold and conflicted internally by the religion of the Church and the religion of the Streets), Robert DeNiro as Johnny-Boy (the equally loved and hated loose-canon brother figure), and Amy Robinson as Theresa (the woman our hero wants to put on a pedestal as a saint but often treats like a whore), is a trifecta of archetypes we see repeated again and again in Scorsese's films (most obviously in "Casino" with the DeNiro-Pesci-Stone characters, and most subversively in "The Last Temptation of Christ" with Jesus-Judas-Mary Magdalene). The religious iconography, the brotherhood of crooks, the attraction to the gangster lifestyle, the keen eye for depicting violence in artistic and startling ways...these are displayed here in "Mean Streets" in their rawest form.

Though flawed in many ways, "Mean Streets" set the stage and laid the the template for the type of film Scorsese would perfect seventeen years later with "Goodfellas." This heralded the arrival of a new talent and a new genre, and the world of film has thankfully never been the same.


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