A six-year-old boy witnesses mobsters beat his father to death. Twenty years later, the now-grown boy begins to track down and eliminate the men who did it, determined to wipe out the ... See full summary »
While escaping war-torn China, a group of Europeans crash in the Himalayas, where they are rescued and taken to the mysterious Valley of the Blue Moon, Shangri-La. Hidden from the rest of the world, Shangri-La is a haven of peace and tranquility for world-weary diplomat Richard Conway. His ambitious brother, George, sees it as a prison from which he must escape, even if it means risking his life and bringing destruction to the ancient culture of Shangri-La.Written by
Marg Baskin <email@example.com>
In a letter to his partner Paul Anstee in April 1972, Gielgud wrote: "The film is going to cost 6 million dollars, so let's hope the music will be the making of it- nothing else will! I have christened it 'Hello, Dalai'!". See more »
The library at Shangri-La is supposed to be a repository for the world's great literature, yet a number of "Readers' Digest Condensed Books" are visible on its shelves. See more »
[considering possible reasons why their plane has been hijacked]
For good measure, they've got two journalists and - by his own account - a famous comedian.
Very funny. But what about you, Cornelius? Maybe they want you? Who are you?
I'm somebody flying in a strange plane with a lunatic pilot and I'm trying to find out why - that's who I am!
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"Lost Horizon" was cut by 23 minutes after its theatrical release. The deleted footage consisted of three songs: "I Come To You", "If I Could Go Back", and "Where Knowledge Ends, Faith Begins"; plus two reprises of "Living Together, Growing Together" were cut, and a fertility dance sequence was also edited out. Pioneer reinstated the three songs for a 1992 Laserdisc release whilst the remaining footage was restored for the 2011 DVD version. See more »
The musical remake of 'Lost Horizon' has been almost uniformly panned over the years and has long been unavailable on home video. So is it really that bad? Comparisons with the 1937 Ronald Colman classic aside, this Bacharach-David musical starts as an adventure story and only moves into song and dance fantasy about 45 minutes into the film, when the mixed bag of plane crash survivors (Peter Finch, Michael York, Sally Kellerman, George Kennedy, Bobby Van) discover Shangri-La, led by Oxford graduate Chang (John Gielgud) and the High Lama (Charles Boyer).
So the cast looks strong - and in Shangri-La is boosted by wimpy Olivia Hussey and pouty Liv Ullmann. But aside from Van there's no one with experience of musicals. More of that later.
The songs are not that memorable, aside from the melody which first introduces the fantasy village up in the mountains. The staging of musical numbers, by Fred Astaire's associate Hermes Pan, aren't that fascinating. However, there is still enough here to keep you watching: but whether it is from the impulse to watch a real turkey unfolding or from a need to watch the story to the end, I'm not sure.
I wouldn't really class this as a musical; there are too few songs. And Finch in particular is wasted in this although he plays his part dead straight.
The remake of Lost Horizon is a misfire, but not completely awful. Some criticisms of this film are justified, but by no means all. Give it a go and make up your own mind.
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