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The Long Goodbye (1973)

Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.

Director:

Writers:

(screenplay), (novel)
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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Jim Bouton ...
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Morgan
Jo Ann Brody ...
Jo Ann Eggenweiler
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Detective Farmer (as Steve Coit)
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Mabel
Pepe Callahan ...
Pepe
Vincent Palmieri ...
Vince (as Vince Palmieri)
Pancho Córdova ...
Doctor (as Pancho Cordoba)
...
Jefe
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Storyline

In the middle of the night, private eye Philip Marlowe drives his friend Terry Lennox to the Mexican border. When Marlowe returns home police are waiting for him and learns that Terry's wife Sylvia has been killed. He's arrested as an accessory but released after a few days and is told the case is closed since Terry Lennox has seemingly committed suicide in Mexico. Marlowe is visited by mobster Marty Augustine who wants to know what happened to the $350,000 Lennox was supposed to deliver for him. Meanwhile, Marlowe is hired by Eileen Wade to find her husband Roger who has a habit of disappearing when he wants to dry out but she can't find him in any any of his usual haunts. He finds him at Dr. Veringer's clinic and brings him. It soon becomes obvious to Marlowe that Terry's death, the Wades and Augustine are all somehow interconnected. Figuring out just what those connections are however will be anything but easy. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

Nothing says goodbye like a bullet. See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

31 May 1973 (Argentina)  »

Also Known As:

The Long Goodbye  »

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Box Office

Budget:

$1,700,000 (estimated)

Gross USA:

$959,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The make and model of the white hooded-top black car that Philip Marlowe (Elliott Gould) drove was a 1948 Cabriolet Lincoln Continental Convertible (876H-56). According to the book "Robert Altman" by Jansen and Schütte, the car is owned by Gould. See more »

Goofs

During the scene where Marlowe is chasing Mrs. Wade in her top-down Mercedes 450 SL convertible, the car goes from having head rests to having no head rests in various shots. See more »

Quotes

Roger Wade aka Billy Joe Smith: You know, if I could just get you to understand that when a writer can't write, it's just like being impotent.
Eileen Wade: I understand what that's like, too.
Roger Wade aka Billy Joe Smith: Oh, you do, do you? You do? BALLS, BABY, BALLS!
See more »

Connections

References Double Indemnity (1944) See more »

Soundtracks

Hooray for Hollywood
(uncredited)
from Hollywood Hotel (1937)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Performed by Johnnie Davis
See more »

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User Reviews

 
The Best adapted screenplay of all time?
25 February 2005 | by See all my reviews

I can say, without feeling too stupid, that is my favourite film of all time.

It has it all, firstly an incredibly brave screenplay that brought Raymond Chandler forward a generation after Bogart's best attempts to turn the great author into an insomnia remedy.

The casting of Elliot Gould as Marlowe is a stroke of genius - this Marlowe is undoubtedly very cool, but his 'coolness' comes from his idiosyncrasies, nerdy quirks and inability to fit into defined social circles. Sterling Hayden's performance, for me out-does his work on Dr Strangelove and can be added to Jack Nicholson in The Shining, Hoffman in Midnight Cowboy and Brando in The Godfather as one of the finest examples of character acting you will ever come across. His 'Hemingwayesque' alcoholic rages are violent, visceral and disturbing and yet he contains a brittle fragility that draws you to his performance.

The shining light though is Altman. Not only did he get the best career performances out of his finely assembled ensemble (did Gould, Hayden or Van Pallant ever do better?), but also produced one of the best shot films of all time. Only bettered in this era by Coppola's The Conversation (not a bad film to come second to).

On top of all this is an overwhelming sense of the auteur, the soundtrack, camera work and acting performances all combine to create a synthesis of near perfect cinema.

Turn your computer off, run out of the house and rent/steal or buy this film. Watch it, you won't be disappointed.


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