Fritz the Cat may have lost one of his lives in the comics, but in his new movie, he has eight more lives left to go! While his wife screams at him, Fritz lights up a joint and reminiscences about what could have been.
From their stronghold in Icepeak, the evil Queen Juliana (Eileen O'Neill) and her son, Nekron (Stephen Mendel), send forth a wave of glaciers, forcing humanity to retreat south towards the ... See full summary »
An animated feature which begins, ends and occasionally combines with, live-action filmed on location. A white dropout struggles to create comics and animated films, drawing inspiration from the harsh, gritty world around him. Still sharing his run-down apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nut-case of a Jewish mother, he is ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. This cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, destroyed by war and pollution, where a mutant antihero challenges and kills God. Complications ensue when the cartoonist's parents react in irrational ways to his various involvements.Written by
Ralph Bakshi lists this as his favorite among his own films, while many critics claim it to be his best film. In fact, some have debated it as the greatest non-Disney animated film of all time. See more »
What makes you happy? What makes you happy? Where do you go? Where do you go? Where do you hide? Where do you hide? Who do you see? Who do you see? Who do you trust? Who do you trust? Who do you screw? Who do you screw? What kills the pain? What kills the pain? Game up, game win. Bug around, set it straight. Transaction. Play it hard, hurts so bad. Gotta win. Everyone loses. Everthing loses. Gotta win big. Sick and tired of losing. Where does it all go? Where does it all go? Where ...
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An "underground" cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his artwork.
Another reviewer said that people who review this film poorly are either offended by the nudity or just do not get it. The nudity (and blood) do not bother me in the slightest -- fill the screen with as many animated sex organs as you feel necessary, for all I care. On the second point, it is possible I do not get it.
While I understand the animation was innovative for its time and that the film shows urban decay -- both with cartoons and actual locations -- I cannot help but think that it just has not aged very well. Some scenes I found excellent (such as the God segment), while others were completely forgettable. It balanced out to be average at best.
The New York Times called it the "most original American film of the year." Could they look back now and say that again? I am not so sure.
5 of 7 people found this review helpful.
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