Duffy is a cunning aristocrat of criminals who is hired by Stefane, a young playboy, to hijack a boat carrying several million dollars of his father's fortune. The plot succeeds, with a ... See full summary »
Branded a coward for surrendering his New Mexico fort to the Confederates without firing a shot, a Union colonel attempts to redeem himself by leading a band of condemned prisoners on a suicide mission to recapture it.
A cold hearted American hit man goes to Europe for 'one last score'. His encounter with a beautiful young woman casts self doubt on his lifeblood, and influences him to resist carrying out the contract
In Seattle, aspiring pickpocket Ray is not very adept at his chosen profession. He thinks he's made it to the big time when he learns that a "cannon" - a pickpocket - is looking for an apprentice. The cannon is Harry, recently arrived in Seattle, with his older associate, Casey, a man with a penchant for cocaine. What Harry and Casey are really looking for is a "stall" - someone to act as the distractor. Harry thinks Sandy, Ray's girlfriend (and one of his former marks), is better suited to the job, but, Sandy will not do it unless Ray's included, as well. Ray appreciates what Harry can and does teach him and Sandy, but, Ray doesn't much like the romantic and sexual interest Harry' starts showing in Sandy. Harry's number one rule; Harry never holds, and after relocating their operation to stay one step ahead of the law, Ray's tired of being the 4th musketeer in the group, and itches to become a world-class cannon himself. This doesn't fit within Harry's grand scheme, and allegiances ...Written by
How can you enjoy a film about pickpockets that isn't a comedy, but a deep, emotional analysis of the fall of two master cannons (street slang for pickpockets) and the training of the next generation?
Offbeat, it wasn't shot in glorious LA or New York or Chicago, but in Salt Lake City, the plain states and Canada. Featuring the always intense James Coburn as the titular character, with the great and glorious Walter Pidgeon as his aging, cocaine addicted mentor, supported by then rising stars Michael Sarrazan (fresh off his success in "The Groundstar Conspiracy") and Trish VanDevere (pre-George C.Scott), it took a peek behind the veil at one of the world's oldest professions, in your face robbery without the victim every knowing it.
Light and breezy during the small capers, but dark and brooding during the intervals, we see a changing of the guard, but one not born of pomp and ceremony, but of despair, loneliness and resignation.
The other posters are right. It would never be made these days. No sex, violence, guns, backstabbing, revenge or enough neon. So, hopefully, they'll never try to remake it and ruin the memory of a classic.
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