Set in the future, the story follows a nurse who tries to bring her own style of relief to people condemned to die. Her identity is a mystery and she may not be quite what she seems.
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Title: To Love, Perhaps to Die (1973)
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Cast
| Cast overview, first billed only: | |||
| Sue Lyon | ... | Ana Vernia | |
| Christopher Mitchum | ... | David (as Chris Mitchum) | |
| Jean Sorel | ... | Victor Sender | |
 |
Ramón Pons | ... | Tony (as Ramon Pons) |
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Charly Bravo | ... | Bruno |
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Alfredo Alba | ... | Román Mendoza |
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Antonio del Real | ... | Mik |
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David Carpenter | ... | Phil |
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Ramón Fernández Tejela | ... | Nicola (as Ramon Tejela) |
| Fernando Hilbeck | ... | Marido (as Fernando Hilberck) | |
| Eduardo Calvo | ... | Rehabilitado | |
| Fernando Sánchez Polack | ... | Rehabilitado | |
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Paul Pavel | ... | Rehabilitado |
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Manuel Guitián | ... | Señor Frans, anciano en hospital (as Manuel Guitian) |
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Jean Degrave | ... | Director de la clínica (as Jean Degrass) |
Edit
Plot Summary
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Storyline
Set in the future, the story follows a nurse who tries to bring her own style of relief to people condemned to die. Her identity is a mystery and she may not be quite what she seems.
Plot Keywords:
murder of a nude man | nudity | gay man has sex with a woman | future | clock work orange |Taglines:
Brutal Savagery in a Future World !Parents Guide:
View content advisory »
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See full technical specs »
Details
Language:
SpanishRelease Date:
April 1975 (USA) See more »Also Known As:
Clockwork Terror See more »Filming Locations:
Madrid, SpainCompany Credits
Production Co:
José Frade Producciones Cinematográficas S.A.,Intercontinental Productions See more »
Show more on
IMDbPro »
Technical Specs
Runtime:
(cut)Sound Mix:
MonoColor:
Color (Technicolor)Aspect Ratio:
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Very watchable and stylish if somewhat lacking of a coherent plot. But hey, French Spanish co-production this may be but there is just a whiff of giallo about it, so be prepared for anything. At first this looks as if it is going to be a rip off of the Kubrick classic. A bunch of orange helmeted youths invade a chic dwelling and start to smash it up whilst one of their number asks the lady of the house to lead him to the bedroom. Then just as soon as we reckon we know where this is going, another of their number takes hold of hubby and without so much a lisp asks him to similarly accompany him to the same room. Stylish, as I say, some humour, a rather wasted Jean Sorel and a much over used Sue Lyon. Nevertheless the director does not miss the opportunity of alluding to another Kubrick classic with the aforementioned lass. Fun and frolics with some precise violence and a delirious ending.