Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths and must survive the terrors of Leatherface and his family.
A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy.Written by
Andrew Harmon <email@example.com>
Jason Miller's Best Supporting Actor Oscar nominated performance was the only one in the category in a Best Picture nominee that year. See more »
The wire that yanks Chris (when possessed Regan smacks her to the ground) can be seen lifting the bottom of the curtain where her head lands. See more »
They've found something... small pieces.
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There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »
Both versions of the film were remixed in 5.1 surround sound for their DVD and Blu-ray releases. However, while the 5.1 mix for the theatrical version simply just remixes the soundtrack and expands some of the mono elements to stereo. The director's cut not only remixes the soundtrack, but the majority of the original sound effects were replaced with more modern ones. See more »
(Tutti) Threnody I: Night of the Electric Insects
Written by George Crumb
Courtesy of Composers Recordings, Inc. See more »
THE EXORCIST---A PERFECT FILM
Many people complain that this movie's too slow but those are the kind of folks who only like 80-minute splatter films with characters so dumb and one-sided, you pray for the bad guy to kill them. This monster of a drama is both beautiful and bold. It has CHARACTERS and not simply LAMEBRAINS lined up for slaughter. It has class and purpose. It takes the audience into the darkest recesses of humankind and then brings them back through a message of hope and self-sacrifice. The movie is NOT anti-religion, it's anti-evil. Anyone who likes smart, clever, meaningful horror-drama should see this film at least twice. It is surprisingly touching and amazingly powerful.
That said, the cast deserves a hand for their wonderful performances. Ellen Burstyn perfectly conveys the tension of a mother of the cusp of tragedy; Max von Sydow is hauntingly perfect as the story's ray of light; Jason Miller embodies the sadness of a defeated man; and Linda Blair is far above average even at her young age.
Once again, see this movie. You won't forget it.
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