Wong Fei-Hung (Jackie Chan) is a mischievous, yet righteous young man, but after a series of incidents, his frustrated father has him disciplined by Beggar So (Siu Tin Yuen), a Master of drunken martial arts.
Enter the Dragon revolves around 3 main characters; Lee, a man recruited by an agency to investigate a tournament hosted by Han, since they believe he has an Opium trade there. Roper and Williams are former army buddies since Vietnam and they enter the tournament due to different problems that they have. It's a deadly tournament they will enter on an island. Lee's job is to get the other 2 out of there alive.Written by
Many of the extras in the courtyard fighting scenes are wearing wristwatches. They would be banned at an actual martial arts contest. See more »
I see your talents have gone beyond the mere physical level. Your skills are now at the point of spiritual insight. I have several questions. What is the highest technique you hope to achieve ?
To have no technique.
Very good. What are your thoughts when facing an opponent ?
There is no opponent.
And why is that ?
Because the word "I" does not exist.
A good fight should be like a small play, but played seriously. A good martial artist does not become tense,...
[...] See more »
In the UK, the film was passed 'X' by the BBFC with cuts for the cinema release in 1973. 5 cuts were made to violence including the removal of the broken bottle attack at the end of the Lee/Oharra fight. In 1979, the film was recalled so that a sequence in which Bruce Lee twirls and uses nunchaku could be deleted, along with another sequence in which nunchaku were seen being carried. In 1988 the video version was passed '18' with 1 minute 45 seconds cut. Three of the five violence cuts made in 1973 were waived but two were maintained (the first cut is to an offscreen neckbreak - this version cuts away just as Bolo crouches to jerk and snap a poor sap's spine. The second cut occurs when Bolo cradles the final opponent in order to slowly break his back - the process and sound effect of this act had been shortened). The cuts to nunchakus implemented in 1979 were repeated for video. However, in 1991 the Board modified its policy so that the weapon was no longer removed on sight. After 1991 a number of representations of nunchaku were passed but only when they were not actually in use. The video of "Enter the Dragon" was resubmitted again in 1993 for widescreen release. This time the two remaining violence cuts were waived, as was the brief sight of nunchaku being carried, in accordance with the new policy. The only cut made this time was to sight of Bruce Lee twirling and briefly using the nunchaku (21 seconds cut). "Enter the Dragon" was resubmitted in its uncut form in 2001 and, in accordance with the BBFC's revised policy, has now been passed '18' without cuts. See more »
As a child, one of my first and best friends was a strange boy who worshiped the ground Bruce Lee walked on - cutting his hair, taking Jiu Jitsu and Hapkido lessons, and often stalking around with that intense animal fury that only Lee could create all over his 7 year old face. My friend took a lot of abuse for this and other odd behaviors with dignity that his hero would have applauded. Unfortunately, Mr. Lee passed from this world very young, leaving a legend and a pair of shoes that have never really been filled. For most Americans, this is the only Hollywood film worthy of mention with his name in the cast.
Don't get me wrong, I love Jackie Chan and Jet Li and even the few Chow Yun Fat roles involving martial arts, but each of these actors have their own, very big, personalities, and - at least in the case of Chan - have built their own unique legend. Unlike his successors, what Lee excelled at was the intense physicality and drama of his performance. He worked every muscle of his body in every beautifully choreographed fight scene of Enter The Dragon, and made art out of violence in ways that today's Hollywood gun violence schlock-directors can only dream of. And Enter the Dragon is one of his most stunning vehicles.
The pseudo-Taoisms are kept to a minimum and concentrated near the beginning of this film. Lee enters a martial arts tournament to avenge the murder of his sister, and to defend the honor of the Shao Lin Temple, where he helps to train young martial artists. John Saxon, a down-on-his luck playboy and brigand is the closest thing to a co-star, and comes to the tournament hoping for a solution to his financial problems. The tournament is hosted by a mass-murdering heroin manufacturer who hides his production facilities, literally, beneath a martial arts school, using the instructors and students in the school as an army of body guards. Kien Shih is absolutely compelling as the evil Han, even if his fight scenes are, at times, a bit less convincing than the master Lee's. Lee and Shih are the performance highlights of the film. Though Saxon does a passable job, his performance is a bit fibrous at times.
Worth seeing for the sets and settings alone, this film is driven well by its fast pace, simple but engaging story line, and the sheer talent of Bruce Lee. Of course, there are the usual problems of the martial arts genre - villains whose sense of honor for the most part only applies to life-threatening situations fighting would-be heroes, the lack of any weapons besides fists and unused knives, unnecessary nude scenes - it is very easy to overlook these problems and just enjoy the film.
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