Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.
Based on the beloved children's novel by E.B. White, this is the story of a little pig named Wilbur who was born a runt. Mr. Arable decides to kill him for dinner food but his daughter Fern begs him to let him live. On greater maturity, Wilbut is sold to Fern's uncle, Homer L. Zuckerman, in whose barnyard he's left yearning for friendship, but is snubbed by other barn animals. Wilbur is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a gentle and wise grey spider that lives in his pen, to ensure that this will never happen.Written by
Murray Chapman <firstname.lastname@example.org>
Many of the film's animators also worked for Hanna-Barbera on its television productions. See more »
In the beginning there are ten piglets suckling from John Arable's sow then when the runt appears there are nine. It happens again when John picks up the runt, planning to kill it, until Fern comes outside to rescue it. See more »
[we hear a rooster crow and a cow moo]
This old world is filled with wonders, but to me there is no place more wonderful than a farm in springtime, when the sun is just lifting from the sky line. The air is so sweet and everywhere you look, little miracles are happening. Buds swell into blossoms, eggs hatch, young are born.
[shows duck and ducklings swimming in puddle]
Everything's off to a fresh start, and life is good and busy and brand new.
[hen and chicks pass by]
Around the ...
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I was surprised to find that other reviewers here, especially an admirer of other Sherman & Sherman songs such as those in Mary Poppins, would find the songs in Charlotte's Web to be "inane", "not well written", "worst songs ever penned for a movie", etc.
Perhaps it's largely because the first song, "You and Me" (6:37) really is unpleasantly syrupy sweet and in the worst early 1970's sort of way, and one of the last ones, "Some Pig" (1:19:40), is a somewhat annoying marching band song that only a small child could really enjoy.
Some of the others aren't great either -- "Charlotte's Web" (38:15) and "Mother Earth and Father Time" (54:27, and reprised at 1:25:35) are both on the cloying side and unrewarding, and for adults require either patience or the fast-forward button.
But good musicals are measured by their best songs, not their worst. Bearing in mind that this is a children's movie, "Chin Up" (22:36) is absolutely magnificent and easily ranks with Sherman & Sherman's best work. "I Can Talk" (15:12) and "Lots in Common" (30:50) are both excellent and timeless. "Veritable Smorgasbord" (58:50, and reprised at 1:11:36) is a lot of fun, though its fun depends a lot on the story, animation, and Lynde's hysterical singing; it wouldn't stand on its own quite as well as the others.
Some of them are compromised to varying degrees by the goofy farmyard animal voices singing the songs, but only the most brain-dead Philistine would let that get in the way of enjoying a great children's song.
For those reviewers who disliked the songs, it would be interesting to watch their faces while listening to "Chin Up" a couple times in a room full of children (after all, this is a children's movie), and then listen to them read their own words. I don't know how they could keep a straight face.
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