A psychiatrist, living in Vienna, enters a torrid relationship with a married woman. When she ends up in the hospital from an overdose, an inspector becomes set on discovering the demise of their affair.
John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.Written by
James Meek <firstname.lastname@example.org>
The British Film Institute ranked Don't Look Now #8 on their list of the top 100 British Films. The Times also ranked the film #18 on their list of 100 greatest films. See more »
When John climbs the scaffold, the camera follows him from the priest and up to the top of the church and he has gloves on the entire way. However, when the camera briefly switches from him to the workers below and back to him, his gloves are gone and do not return for the rest of the scene. See more »
Age makes women grow to look more like each other. Don't you find that? Old men decay and each becomes quite distinct. Women seem to converge, eh?
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The region 1 DVD released by Paramount contains the full love scene which was slightly trimmed for an "R" rating in the U.S. See more »
"Don't Look Now" was released at about the time of "The Excorcist". There is otherwise no basis for comparison between these movies. While the Excorcist hits us in the face with the equivalent of a special effects rubber chicken, "Don't Look Now" manages to get under your skin from the very first scene, and gradually, elegantly insinuates itself into a place where your childhood and adult fears dwell and steep. Its setting in Venice is both beautiful and menacing. Something terrible is always just around the corner from our conscious mind. It is also troubling, and, as only a good movie can, leaves more questions unanswered than resolved. Without a doubt, it contains one of the most beautiful loves scenes ever filmed, showing scenes of Christie and Sutherland in genuinely erotic (by '70's standards) lovemaking, mixed with scenes of the couple as they dress and prepare for their day, the following morning. Director Nicolas Roeg is a forgotten Master.
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