A psychiatrist, living in Vienna, enters a torrid relationship with a married woman. When she ends up in the hospital from an overdose, an Inspector becomes set on discovering the demise of their affair.
John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.Written by
James Meek <email@example.com>
Donald Sutherland and Julie Christie met for the first time on the set of this film. The first scene they had to shoot was the sex scene, as Nicolas Roeg wanted to "get it out of the way" and then move on to the "bone" of the matter. Christie was terrified. See more »
When John sets Laura off on the boat, just before she enters the boat they hug and kiss and camera is on the inside of the boat filming them while they're on the peer. The next shot is the same shot all over again only from the different angle (now the camera is on the peer as well). Altough they had just hugged and kissed they did it once more, filmed from a different angle. See more »
Don't Look Now was clearly ahead of its time. In 1973, psychological movies such as this were either rare, or basic. Don't Look Now attempts to go where a lot of movies had never been, which was a realm where many things never truly make sense and yet behind it all is a coherent purpose.
First of it is *not* a candidate for greatest horror film ever, though the Times would have you believe otherwise. What it *is* though is a highly confusing yet thought-provoking story which covers grief and dillusion in equal measure.
Donald Sutherland plays John Baxter, who's married to Laura, who lose a child in an accident and find their worlds turned upside-down as a result. However, thereafter the story is set in Venice where John's working on a job and Laura's accompanied him there, and where things start to get disturbing for the couple as events begin to focus on their dead daughter and paranormal themes emerge.
It *is* a strange tale, and ultimately what you get out of it is entirely up to you. It is probably from this film that the likes of David Lynch started to derive inspiration.
Overall, good, if intrinsically confusing.
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