It is the early 60s in France. The remaining survivors of the aborted French Foreign Legion have made repeated attempts to kill DeGaulle. The result is that he is the most closely guarded man in the world. As a desperate act, they hire The Jackal, the code name for a hired killer who agrees to kill French President De Gaulle for half a million dollars. We watch his preparations which are so thorough we wonder how he could possibly fail even as we watch the French police attempt to pick up his trail. The situation is historically accurate. There were many such attempts and the film closely follows the plot of the book.Written by
John Vogel <email@example.com>
The Jackal travels from Tulle to Paris by train. This involves changing trains at Brive-la-Gaillarde, which is just under half an hour from Tulle. He departs Tulle at 12:10 and arrives at Gare d'Austerlitz at 19:10, taking exactly seven hours. Today the journey can be done in six hours, departing Tulle at 12:19. Even with a wait of an hour and 12 minutes between trains at Brive-la-Gaillarde, arrival at Gare d'Austerlitz would be at 18:21. The change of trains explains why the engine that pulls into Austerlitz is completely different to the one heading the train at Tulle. See more »
(at around 28 mins) When The Jackal is seen running for the Rome-Paris train, the clock outside the station and on the platform show just before eleven o'clock. The clock in the station's main concourse reads five to nine. See more »
August 1962 was a stormy time for France. Many people felt that President Charles de Gaulle had betrayed the country by giving independence to Algeria. Extremists, mostly from the Army, swore to kill him in revenge. They banded together in an underground movement, and called themselves the OAS.
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The closing credits roll over a lion statue at the Élysée Palace, the residence of the President of France. See more »
Composed by Louis Ganne
[Heard during the Liberation Day parade in Paris] See more »
One of the finest thrillers ever made
The opening five minutes of the film are a marvel. Almost completely devoid of dialogue the scenes portray visually more story than most modern thrillers can fit into two hours. This is about the best book-to-film conversion I've ever seen. The cuts, where they are made, are logical and some locations are combined. From Forsyth's first, and probably best book (written in less than 5 weeks) this film contains nothing that does not drive the story forward. The character of the Jackal is brilliantly finely drawn. He doesn't contain any of the cliches that you would expect to see in a film written in the last twenty years (he doesn't display mental instability, or have flashbacks to some event in his past). He never tries to justify his pernicious occupation to anyone yet, strangely, doesn't come across as an evil man. Simply as a professional doing his job. The French police inspector is wonderfully underplayed and is as far away from the he-breaks-the-rules-but-he-gets-the-job-done cliche as you can possibly imagine. He is first seen attending to his pigeons and upon being told he is being put on the case simply says "Oh God..."....
Zimmemann's direction is great and the scenes are beautifully photographed - particularly in Paris.
This is an all-time great film. Definitely in my top ten. I suppose I must put something in negative so it makes for a balanced review so errr.... I think the French minister is wearing a very bad wig. Beyond that -marvelous.
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