I certainly know of Martino’s work; as I delve deeper into Italian horror I hear of All the Colors of the Dark and Your Vice Is a Locked Room and Only I Have the Key (both from ’72), mostly due to the vibrant titles and his even more vibrant leading lady, Edwige Fenech, whose stunning visage graces my eyeballs on a regular basis. (Gratzi, Sarah.) But beyond that, I really knew little before taking my first trip into Martinoville. And thanks to Shameless, I plan to pop in more often.
Here’s our setting,