Dr. Barry Mayfield is a highly successful and respected surgeon, but his patience leaves a lot to be desired. Nurse Martin becomes suspicious about his tools in sewing up internal organs in his most recent 'successful' operation (namely, his sutures). The good doctor kills her before she spills the beans, but Mayfield doesn't count on Detective Columbo's investigative skills, which quickly uncover a trail of murderous events.Written by
Scott Dawson <email@example.com> / edited by statmanjeff
This episode marked a rare time where Columbo (Peter Falk) showed anger towards a suspect (Leonard Nimoy). See more »
When walking on the pier (a long/wide shot of the pier and various people walking), there are three extras walking behind and away from Nimoy and Talbot. The lady in the middle of the trio distinctly turns her head and looks back at the two star actors. She keeps her head turned for a couple seconds before looking straight ahead. A mistake if the she was a hired extra. Although being a public pier, it's possible the trio were random people just walking, the head turn possibly a recognition of Leonard Nimoy. See more »
Inventive plot, cool adversary, smart comedy, great twist ending: this "Columbo" has it all
What a great "Columbo" episode. For fans, this has everything. A brilliant adversary. A tricky plot. Deftly chosen jokes. And a twist ending that comes like a thunderclap.
Dr. Mayfield (Leonard Nimoy) is a surgeon with an ingenious scheme for murdering the kindly Dr. Hidemann, his infuriatingly cautious partner in a research project. But Hidemann's devoted nurse (Anne Francis) catches on to the scheme, and Mayfield murders her to prevent discovery. It's up to our Lt. Columbo (Peter Falk) not only to find out who killed the nurse but prevent another murder from taking place.
Two things often trip up even the best writers of this series. One is the ending. Too often an episode ends with Columbo revealing a damning piece of evidence that doesn't seem all that damning. Or he tricks the killer into giving himself away, which never quite feels satisfactory. I won't give away this ending, of course. Let's just say it'll please the most demanding fan.
The other thing is the comedy scenes. Columbo affects dimwittedness and bad manners to trick his quarry into underestimating him. But too often the writers seem to think that he is genuinely a buffoon. For instance, there's a terrible scene in "Dagger of the Mind" where he inadvertently creates havoc at an airport. It's not funny, and it's not our Columbo. "A Stitch in Crime," by contrast, has some splendidly comic moments where he is not a clown, just a bit inattentive to manners. What he does with a hardboiled egg is priceless.
He also has the standard scene where something makes him queasy. In "Ransom for a Dead Man" it's the airplane ride. In "Dead Weight" it's the boat ride. Here it's hospitals, especially the operating room. But I like how he's able to steel himself when it really counts. I also love a novel moment. We actually see our faux-obsequious detective drop the pretense and lose his temper. I don't think he's done that since "Prescription: Murder."
Leonard Nimoy is essentially Mr. Spock in a white coat. His Dr. Mayfield is better able to keep his emotions at bay than just about any other murderer in the series. He makes brilliant move after brilliant move, but Columbo checks him every time. And then in the very last frame: checkmate.
34 of 35 people found this review helpful.
Was this review helpful to you?
| Report this