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A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
A biological weapon gone awry is only the start of problems in the little town of Evan's City, Pennsylvania. Bouts of insanity in the populace are leading to murder and rioting, until the US Army turns up - and things really start going to hell.Written by
David Carroll <firstname.lastname@example.org>
The basis of the film was a script by Romero's friend and co-worker Paul McCollough entitled 'The Mad People'. McCollough gave the script to Romero with his blessing to re-write it and Romero turned out a revised version of it that was made into 'The Crazies'. See more »
When talking on a field radio while working in the high school science lab, Dr. Watts talks without pressing down the "talk" button on the radio's handset. The person he's talking to wouldn't be able to hear him unless he pushed the button, yet the conversation continues. See more »
Okay, Colonel Peckem, last test is negative. You're all clean, virus free. We can sign you out. The helicopter will be arriving in a few minutes.
Any news from Deitrich?
They're sending a new man from the Trixie project to take over as Dr. Watts' replacement. He should be here in the morning. If only we knew what Watts was working on. We checked the slides he left behind in his microscope and his notes, but we can't make heads or tails out of any of it. He was onto something, we know that. ...
[...] See more »
Just in case some stubborn people are still questioning George A. Romero's talent after his 1968 milestone "Night of the Living Dead", we hereby present "The Crazies"! Once again a film stuffed with subtle criticism on society and pitch black humor. "The Crazies" immediately demands your full attention with a powerful pre-credits opening sequence and the high-excitement level is upheld throughout the entire movie. The little Pennsylvanian town of Evans City is overcome with a secret, but very lethal, government virus leaving the infected either dead or incurably insane. "Trixie" initially was developed as a chemical weapon, so not one of the scientists or army officers know how to put a stop to it when innocent people are exposed to it. The simple plot and cheap elaboration are excellently camouflaged by Romero's sharp eye for detail. Right from the start, he builds up a tense atmosphere of truly realistic mass hysteria that confuses even you the viewer in not knowing which characters are infected and which aren't. They could all simply be trigger-happy Pennsylvanian hillbillies for all we know! Although this film never really becomes "disturbing", there are quite a few scenes that shock and that feel strangely real. You could also state "The Crazies" was quite ahead of its time because chemical warfare is much more in the picture now than it was 30 years ago, when this film got shot. Romero's premise is simple but efficient: the malfunctioning and greed of the human race is much scarier than any fictional horror monster could ever be. Best example is the military men who become eerie and threatening in their icky white suits.
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