A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the ... See full summary »
George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off, and just when things are moving along, the memory... See full summary »
Based on D.H. Lawrence's novella about two young women - sickly, chattering Jill Banford and quiet, strong Ellen March - who are trying, hopelessly, to run a chicken farm in Canada. A ... See full summary »
Young Jenny heads to the South of England to start a new career as a school teacher. Even before she has had a chance to settle in she meets Patrick, one of the local "lads". Within a short... See full summary »
Barry Sulivan is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner: the police are in his pocket and the local hoods are on his payroll.
Stella and Victor meet in Europe, fall deeply in love, and marry soon thereafter. Then they sail back to the States to meet Victor's family, and the honeymoon is over: Victor's family, ... See full summary »
Edward H. Griffith
Louise Closser Hale
A lonely Navy sailor falls in love with a hooker and becomes a surrogate father figure for her son during an extended liberty, due to his service records being lost.Written by
Dana Luke <email@example.com>
Granted there are some literary devices which are a tad far-fetched that simply have to be accepted to allow this story to work - for one, the cavalier way in which Baggs is treated while his papers are 'lost', and for so long. None the less, this is, in the end an affecting and inspiring tale. Perhaps one of the reasons for its dubious reception here is that in this extremely cynical and selfish age people have difficulty accepting a tale about someone who assumes so much grief in order to help people ("It makes me feel good," says Baggs, simply and disarmingly.) Perhaps the world would be a better place if we could all be more like the guileless Boatswain, played by James Caan in a good-guy departure from his usual tough guy parts.
Of particular note is the fine job Eli Wallach does with the minor part of Baggs' nemesis Forshay. It's a memorable moment when Baggs, asking Forshay, as he is drummed out of the service without benefits or pension, "Where are you going? Home?", hears Forshay reply "THIS was home." The combination of sadness, bitterness, and fear of the future that Wallach puts into these three words is testimony to his power as an actor.
A bit of judicious editing might have been called for, as the movie was a tad long (cutting Paul Williams' execrable songs would have been a good place to start), but none the less it's a feel-good movie that rises above its gritty setting.
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