In the twenty-fifth century, a time when people have designations instead of names, a man, THX 1138, and a woman, LUH 3417, rebel against their rigidly controlled society.
Director:
George Lucas
Stars:
Robert Duvall,
Donald Pleasence,
Don Pedro Colley
In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied North Texas town that is slowly dying, both culturally and economically.
Director:
Peter Bogdanovich
Stars:
Timothy Bottoms,
Jeff Bridges,
Cybill Shepherd
"The Washington Post" reporters Bob Woodward and Carl Bernstein uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation.
Director:
Alan J. Pakula
Stars:
Dustin Hoffman,
Robert Redford,
Jack Warden
Two bikers head from L.A. to New Orleans through the open country and desert lands, and along the way they meet a man who bridges a counter-culture gap they are unaware of.
It's the proverbial end of the summer 1962 in a small southern California town. It's the evening before best friends and recent high school graduates, Curt Henderson and Steve Bolander, are scheduled to leave town to head to college back east. Curt, who received a lucrative local scholarship, is seen as the promise that their class holds. But Curt is having second thoughts about leaving what Steve basically sees as their dead end town. Curt's beliefs are strengthened when he spots an unknown beautiful blonde in a T-bird who mouths the words "I love you" to him. As Curt tries to find that blonde while trying to get away from a local gang who have him somewhat hostage, Curt may come to a decision about his immediate future. Outgoing class president Steve, on the other hand, wants to leave, despite meaning that he will leave girlfriend, head cheerleader and Curt's sister, Laurie Henderson, behind. Steve and Laurie spend the evening "negotiating" the state of their relationship. Meanwhile...Written by
Huggo
Harrison Ford initially turned down the film because he was offered $485 a week, less than he earned as a carpenter and not enough to support his family. When the offer was upped to $500, he accepted. See more »
Goofs
Wolfman Jack's radio broadcasts throughout the film are ostensibly airing on Mexcian station XERB, as identified by various jingles. However, in 1962 (when the film is set) he was broadcasting for another station, XERF; he would not move to XERB until 1965. See more »
Quotes
[first lines]
Terry Fields:
Hey, what do you say, Curt? Last night in town... you guys gonna have a little bash before you leave?
Steve Bolander:
The Moose have been looking for you all day.
[hands a check to Curt]
Steve Bolander:
They got worried... thought you were trying to avoid them or something.
Terry Fields:
What is it? What do ya got?
Curt Henderson:
Oh, great.
Terry Fields:
That's $2,000 man! Two thousand dollars!
Steve Bolander:
Mr. Jennings gave it to me to give to you. He says he's sorry it's so late, but it's the first scholarship the Moose Lodge has given out. And he, uh, says they're all ...
[...] See more »
Crazy Credits
Worded epilogues prior to the credits shows what happen to the characters following the movie. While this has since become commonplace in films, it was considered innovative at the time. See more »
Alternate Versions
One minor digital effect has been added, at the request of director George Lucas, and can be found on the 1998 Collector's Edition DVD and VHS. In the original theatrical release, when the movie title credit appears on screen in front of Mel's Drive-In, all that is seen behind the diner are buildings and a cloudy/grey sky. On the Collector's Edition DVD and VHS, a sunset with clouds has been digitally added in where the cloudy/grey sky originally was. The original shot used in the film can be seen at the opening of the American Graffiti documentary, which is on the same DVD/VHS. See more »
While born three years after the events in the film, I could still relate to the plight of being a teenager on the threshold to adult life. I think it takes a pretty insensitive person not to be captivated by this excellent movie (boring? - because just one car blew up, or what?!). This was the 3rd or 4th time I saw it, and it is just getting better. It is unusual to see filmmaking of this caliber coming from Hollywood (not least when considering Lucas' latest offering - blech!), but like movies like "The Year My Voice Broke" and "My Life as a Dog", "American Graffiti" tells us something about where we came from, without being dull or preachy. ***½ out of ****
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While born three years after the events in the film, I could still relate to the plight of being a teenager on the threshold to adult life. I think it takes a pretty insensitive person not to be captivated by this excellent movie (boring? - because just one car blew up, or what?!). This was the 3rd or 4th time I saw it, and it is just getting better. It is unusual to see filmmaking of this caliber coming from Hollywood (not least when considering Lucas' latest offering - blech!), but like movies like "The Year My Voice Broke" and "My Life as a Dog", "American Graffiti" tells us something about where we came from, without being dull or preachy. ***½ out of ****