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American Graffiti (1973)

PG | | Comedy, Drama | 11 August 1973 (USA)
A couple of high school grads spend one final night cruising the strip with their buddies before they go off to college.

Director:

George Lucas
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Popularity
1,439 ( 129)
Nominated for 5 Oscars. Another 9 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Dreyfuss ... Curt
Ron Howard ... Steve (as Ronny Howard)
Paul Le Mat ... John
Charles Martin Smith ... Terry (as Charlie Martin Smith)
Cindy Williams ... Laurie
Candy Clark ... Debbie
Mackenzie Phillips ... Carol
Wolfman Jack ... Disc Jockey
Bo Hopkins ... Joe
Manuel Padilla Jr. ... Carlos
Beau Gentry Beau Gentry ... Ants
Harrison Ford ... Bob Falfa
Jim Bohan Jim Bohan ... Holstein
Jana Bellan ... Budda
Deby Celiz Deby Celiz ... Wendy
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Storyline

It's the proverbial end of the summer 1962 in a small southern California town. It's the evening before best friends and recent high school graduates, Curt Henderson and Steve Bolander, are scheduled to leave town to head to college back east. Curt, who received a lucrative local scholarship, is seen as the promise that their class holds. But Curt is having second thoughts about leaving what Steve basically sees as their dead end town. Curt's beliefs are strengthened when he spots an unknown beautiful blonde in a T-bird who mouths the words "I love you" to him. As Curt tries to find that blonde while trying to get away from a local gang who have him somewhat hostage, Curt may come to a decision about his immediate future. Outgoing class president Steve, on the other hand, wants to leave, despite meaning that he will leave girlfriend, head cheerleader and Curt's sister, Laurie Henderson, behind. Steve and Laurie spend the evening "negotiating" the state of their relationship. Meanwhile... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

...is back! [1978 Re-release] See more »

Genres:

Comedy | Drama

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

11 August 1973 (USA) See more »

Also Known As:

Another Slow Night in Modesto See more »

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Box Office

Budget:

$777,000 (estimated)

Gross USA:

$115,000,000

Cumulative Worldwide Gross:

$115,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release) (1978) | (rough cut)

Sound Mix:

4-Track Stereo (Dolby System®)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

The Beach Boys song "All Summer Long" - which plays over the end credits - was released in the Summer of 1964 although the movie is set in the Summer of 1962, some two years before the song's release. But the characters do not hear it, only we do; and it is a suitable way of moving into the post-1962 "future". See more »

Quotes

[first lines]
Terry Fields: Hey, what do you say, Curt? Last night in town... you guys gonna have a little bash before you leave?
Steve Bolander: The Moose have been looking for you all day.
[hands a check to Curt]
Steve Bolander: They got worried... thought you were trying to avoid them or something.
Terry Fields: What is it? What do ya got?
Curt Henderson: Oh, great.
Terry Fields: That's $2,000 man! Two thousand dollars!
Steve Bolander: Mr. Jennings gave it to me to give to you. He says he's sorry it's so late, but it's the first scholarship the Moose Lodge has given out. And he, uh, says they're ...
[...]
See more »

Crazy Credits

Worded epilogues prior to the credits shows what happen to the characters following the movie. While this has since become commonplace in films, it was considered innovative at the time. See more »

Alternate Versions

One version has appeared on television with several scenes cut, including the entire sock hop except for the Louie, Louie sequence (which, ironically, was added to the 1978 re-release). See more »

Connections

Featured in The Murder of Laci Peterson: Missing in Modesto (2017) See more »

Soundtracks

Only You
Written by Buck Ram (uncredited)
The Platters
Courtesy of Mercury Records:
See more »

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User Reviews

The great, seminal '60s nostalgia flick
1 June 2004 | by jantoniouSee all my reviews

I was born at the beginning of the next decade--1970--yet "American Graffiti" was a chord that rippled throughout my life.

My father, who, like George Lucas, grew up in California's Central Valley, said this movie perfectly captured what it was like to grow up there--street cruising, hot rodding, picking up chicks, pulling pranks. Though this movie necessarily sidesteps the boredom inherent in growing up in the pesticide-choked San Joaquin Valley, the place itself is not as important the time it explores. It was a time just before the 1960s descended into the beginning of the end of American culture--the prototypical middle America that existed in almost all its small towns and now has substantively disappeared thanks to the urbanization and suburbanization of much of this country.

The ensemble cast, including so many that went on to become hugely successful in Hollywood--Ron Howard, Cindy Williams (well, with Laverne & Shirley at least), Richard Dreyfuss, and of course Harrison Ford (not to mention Lucas himself)--is handled with great skill from such a young director and reinforces the mystery why Lucas has so horribly mishandled Star Wars Eps. I and II. Lucas simply has been at the Ranch too long and his brilliant career has arrived parked in the garage at a large, entirely perfunctory business and media empire.

Anyway, regardless of Lucas' drift far away from the cutting edge, "American Graffiti" still stands as a kind of monument to his precocity. It is the kind of movie that hits every note with effortless precision, which I think is less the effort of great editing as it is a combination of youthful exuberance and actors and a director at essentially the beginning of their ascent as some of the best in the business.

This movie also withstands the test of time simply because it works magically both for those who have no particular emotional connection to the '60s and for those who were there on nearly equal levels. There is tremendous humor and naturalistic character play and dialog that few can help but be drawn into. Anyone with any sense of history will acknowledge that all the characters are standing at the edge of the deflowering and self-destruction of America in the '60s. It is a time of tremendous innocence, change, and harrowing decisions. The Bay of Pigs, Cuban Missile Crisis, and Vietnam haven't happened yet.

With Iraq and terrorism chewing at our consciousness every day, it's pretty easy for modern youth to identify and yearn for the nostalgia of such innocence.


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