The further adventures of Captain James T. Kirk and the crew of the USS Enterprise, as they explore the galaxy and defend the United Federation of Planets.The further adventures of Captain James T. Kirk and the crew of the USS Enterprise, as they explore the galaxy and defend the United Federation of Planets.The further adventures of Captain James T. Kirk and the crew of the USS Enterprise, as they explore the galaxy and defend the United Federation of Planets.
Of course, many point to the limited animation (by Filmation) as the reason for the lack of action. Filmation was clever in reusing the same stock poses and movements of characters, placed over some impressive background paintings. The obvious advantage to the show was in depicting landscapes and giant creatures which were not possible on the original series, as well as ideas such as shrinking the crew ("The Terratin Incident"). The actor James Doohan voiced a multitude of other characters besides Scotty (Doohan was close to being overused), as did Majel Barrett, and Nichelle Nichols & George Takei also got into the act; you heard Takei as a Klingon in one episode and Nichols as a god in another. But, they did bring back a few key actors for guest roles - Mark Lenard as Sarek, for example, Stanley Adams as Cyrano Jones and, of course, Carmel as the conman Harry Mudd, in episodes which functioned as sequels or follow-ups to original series episodes ("More Tribbles, More Troubles" and "Mudd's Passion"), but these actors were not credited (stock credits at the end of each episode). We also revisited the "Shore Leave" planet in "Once Upon a Planet." Chekov (and Koenig) seemed to be away on leave in these episodes (budget cuts!); instead, we saw the feline M'Ress and the extra-limbed Arex as part of the bridge crew. One bit of progressive evolution involved a more aggressive approach by the female characters: Uhura took command in one episode ("The Lorelei Signal") without so much as a by your leave and Nurse Chapel even karate chops the scoundrel Mudd in "Mudd's Passion" - so much for non-violence. What a difference just 4 years makes - clear evidence of the female liberation movement - right here in Trek!
But, the most eye-popping sequence of scenes for me was something I'd forgotten, until viewing "The Practical Joker" episode again: here we see the first use of a holodeck, in the Enterprise's 'recreation room.' So, this was not invented for the TNG show over a dozen years later! The TNG creators took the idea from an earlier Trek series! Many of the episodes were suffused with humor, usually very subtle for a supposed children's show, and main actors Shatner, Nimoy and Kelley were probably attracted to the material because of this adult approach. No, this certainly was not just a kid's show. The best episodes: "Yesteryear" - re-utilized the Guardian of Forever from "The City on the Edge of Forever" original episode, including another mind-bending time travel paradox and an expanded look at the planet Vulcan; "The Slaver Weapon" - a reworked Larry Niven science fiction story of stasis boxes containing ancient items, involving an ultimate weapon, and a great new villainous race in the Romulan/Klingon mold (but taking advantage of animation), with only Spock, Uhura and Sulu appearing as the regulars; "The Jihad" - exciting 'quest' action epic, which, despite the limits of the animation, was still as tense and suspenseful as many of the live action episodes; and "The Eye of the Beholder" - a unique perspective on zoos and intelligence, in that order; that title was also used on a Twilight Zone episode. I also liked "The Survivor," which used similar story ideas to "The Man Trap," but, as usual, without any death scenes and resulted in a more poignant version. Yes, maybe this animated series reused too many story ideas from the original, but it was still darn good Trekking. We had to wait another 5 years for the next new Trek vision - "Star Trek the Motion Picture" in '79.
- Mar 17, 2007