Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and ...
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At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
In the town of Thiers, summer of 1976, teachers and parents give their children skills, love, and attention. A teacher has his first child, a single mother hopes to meet Mr. Right, another ... See full summary »
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and her husband Clovis. She tells Stanislas her life and her love affairs...Written by
Released the same year his ex-friend was making 'Tout Va Bien'...
Like Michael Winner, Truffaut thinks a feminist movie would be about a sexually promiscuous woman who turns the tables on a serious of idiotic men who are so caricatured that they bear little relation to the real oppressors facing women at this time, especially in institutionally misogynistic France.
I should really like this film, it has everything I wanted - directed by the maker of my three desert-island films; magic realism; a Chinese-whispers narrative structure; bawdy comedy; grotesques; superb performances. Bernadette Lafont is sprightly in the lead role, escaping all the traps men lay for her (including her director). Andre Dussolier is sensational is his first role as the intellectual, spectacles-wearing professor who can't see beyond his own nose, and Guy Marchand is hilarious as a spectacularly vain rock star.
All these things are good. The film isn't. Go figure.
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