Goldie returns from five years at the state pen and winds up King of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
Super Fly is a cocaine dealer who begins to realize that his life will soon end with either prison or his death. He decides to build an escape from the life by making his biggest deal yet, converting the coke to cash and running off to start a new life. The problem is that the Mob does not have a retirement plan and will give him a choice of staying and selling for them or dying if they find out his intentions.Written by
John Vogel <jvogel@dgs. dgsys.com>
Ron O'Neal didn't like the cocaine montage. In an "E! True Hollywood Story" (1996) interview, he said it so glorified drug use that the montage was akin to a "commercial for cocaine." See more »
When Priest orders Fat Freddy to get his money back, you can see the crew man behind the door as they leave the apartment. See more »
You know, if you were a smart guy we could put you back on the street again. I don't want to waste my time and the court's money on a two-bit piece of sh*t like you. But, with your record, nigger, I could put you away for 20 to 25 years. I don't want you, I want your Man! Now, who do you work for! Who's your man!
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This gritty, low budget film offers a unique and honest perspective on the underworld of black street life in the early 1970s, with an almost tragic, Shakepearian, bent. The look, the feel and language of the culture and the almost real-time look street life in NYC of that era is truly unmatched by any film before or since. Perhaps through genius, inspiration, maybe just plain luck, or all three, the producers and director hit the nail right on the head. Starring an excellent, intelligent cast of professional thespians, some with impressive stage and film credentials, and augmented by a wonderful infusion of genuine non-professionals right from the street in key roles, the film has an honesty and gritty reality that belies its budgetary constraints. Filmed largely without the permission of local authorities and unions, in winter and often after dark, it has a cinema verite feel throughout; almost a documentary. And the score! Composed and performed by Curtis Mayfield, it is as close to an utter classic as has ever been offered. It stands alone, and would have been a multi-platinum offering even without the film. If one takes the inherent flaws to this type of production; i.e. the rough editing, slightly uneven performances and almost clandestine feel, and places these in proper perspective, it is sure to delight all but the most hardened and jaded enthusiasts of film. Notable: this film set THE STYLE for black, urban culture for most of the next decade. It has no current rivals in that accomplishment. After this film, simply everything since has been empty posturing vis-a-vis popular rap music. It was "remade" during the mid 1990s and set in Miami as "Big Ballers", which was utterly horrible. Compare the two and you will see what style counts for. This film is the real deal. I spent money I didn't have to get this DVD. Go buy it, trust me.
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