Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. But Harold, who likes the ...
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Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways... See full summary »
Harry H. Corbett,
A thirty-something year-old man named Harold and his elderly father, Albert, work as rag and bone men (collecting and selling junk). Harold is ambitious and wants to better himself, but his... See full summary »
Harry H. Corbett,
Stan gets a little annoyed when his Mum and Sister keep buying expensive items on hire purchase, but the money he earns for overtime working as a bus driver means that he can afford it... ... See full summary »
This prison comedy is based on the popular British television series of the same name. Long time Slade prison inmate Fletcher is ordered by Grouty to arrange a football match between the ... See full summary »
Terry is divorced from his German wife and has a Finnish girlfriend Christina. At Thelma's suggestion they join her and Bob on a caravan holiday but due to a mishap the men get separated ... See full summary »
Arkwright is a tight-fisted shop owner in Doncaster, who will stop at nothing to keep his profits high and his overheads low, even if this means harassing his nephew Granville. Arkwright's ... See full summary »
The Liverpool-based Boswell family are experts at exploiting the system to get by in life. Despite the fact that none of the Boswells are officially employed, they manage to live a fairly ... See full summary »
A rather naive, middle-class man is admitted to a hospital ward and finds that he is sharing it with a working-class layabout and an upper-class hypochondriac. All three of them cause headaches for the hospital staff.
Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. But Harold, who likes the bright lights in the West End of London, meets a stripper. Fine, but he marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bride from his household.Written by
Derek Picken <firstname.lastname@example.org>
To receive an 'A' (PG) cinema certificate some brief nudity was removed from the striptease scene. DVD releases are fully uncut. See more »
The morning after the night out seeing the stripper, after Albert has slept in the stable, as he picks up the milk on the doorstep he has rough facial hair. When he takes the milk into the house he is clean shaven. See more »
Chief example of stunted British folly, in place of film.
"Women? They're all scrubbers...!"
No, not a good translation; not at all! This lags behind the previous year's "Dad's Army", entirely missing the special, small-screen magic of the seminal television sitcom original, and failing to play interestingly at all with the big screen... you could just about say that this film well represents a Britain entering decline, and more precisely even than that, a *British film industry* entering decline. And that is hardly a recommendation, is it? To be an exemplar of saddening folly...
All that remains after the subtlety of the TV original has been surgically stripped away, by Cliff Owen, Galton and Simpson are: endless, dilapidated musical cues, yawn, from the Ron Grainer theme... bolstered sentimentality (that shoddy, thick-eared ending... how much bolder does the second Steptoe film seem in comparison) an increased seediness - with director and writers seemingly detaching themselves completely - fully applicable to something like the 'misbegotten monstrosity' (yours truly on this site) from 1973, "The Mutations". There is a strangely botched, cut-adrift tone about the scene where Harold is beaten up in a rugby club, that I partly hate and recoil it (so far, as a friend intimated, from the mood of the TV series...), but this at least seems an original slant, and emblematic of tensions just rising to the boil in the Britain of 1972... There is, however, an implied prostitute, aye of a 'heart-of-gold' who turns loose woman-traitor 'pon poor auld 'Arold - and beyond-caricature writing of the 'class' element; not to mention, surprisingly misjudged performances from the usually redoubtable leads. Brambell and Corbett collude with the script, and indeed fail to cure it of an essential ham. What would Anthony Aloysius Hancock have made of it all...? I will merely concede that a few moments just about work - chiefly those where G & S play things a little more carefully and B & C touch tenderer nerves - and it is not on the whole an unwatchable affair.
But, and oh, how this pains me to say it: it is tiresome, boring, both wilfully detached from reality and what made the TV series great, and also fully in tune with the lazy, tawdry, misogynist 'fuck it, that'll do...' actuality of much of what was allowed to pass for mainstream film-making in the Britain of the time.
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