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Solaris (1972)

Solyaris (original title)
A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

Director:

Andrei Tarkovsky (as Andrey Tarkovskiy)

Writers:

Stanislaw Lem (novel) (as Stanislav Lem), Fridrikh Gorenshteyn (screenplay) (as F. Gorenshteyn) | 1 more credit »
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Popularity
1,597 ( 380)

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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Natalya Bondarchuk ... Khari
Donatas Banionis ... Kris Kelvin, psikholog
Jüri Järvet ... Doktor Snaut, kibernetik (as Yuri Yarvet)
Vladislav Dvorzhetskiy Vladislav Dvorzhetskiy ... Anri Berton, pilot
Nikolay Grinko ... Nik Kelvin, otets Krisa Kelvina
Anatoliy Solonitsyn ... Doktor Sartorius, astrobiolog
Olga Barnet ... Mat Krisa Kelvina (as O. Barnet)
Vitalik Kerdimun Vitalik Kerdimun ... Syn Anri Bertona (as V. Kerdimun)
Olga Kizilova ... Gostya doktora Gribaryana (as O. Kizilova)
Tatyana Malykh Tatyana Malykh ... Plemyannitsa Krisa Kelvina (as T. Malykh)
Aleksandr Misharin Aleksandr Misharin ... Shanakhan, predsedatel komissii Anri Bertona (as A. Misharin)
Bagrat Oganesyan Bagrat Oganesyan ... Professor Tarkhe (as B. Oganesyan)
Tamara Ogorodnikova Tamara Ogorodnikova ... Anna, tetka Krisa Kelvina (as T. Ogorodnikova)
Sos Sargsyan ... Doktor Gribaryan, fiziolog (as S. Sarkisyan)
Yulian Semyonov Yulian Semyonov ... Predsedatel nauchnoy konferentsii (as Yu. Semyonov)
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Storyline

The Solaris mission has established a base on a planet that appears to host some kind of intelligence, but the details are hazy and very secret. After the mysterious demise of one of the three scientists on the base, the main character is sent out to replace him. He finds the station run-down and the two remaining scientists cold and secretive. When he also encounters his wife who has been dead for ten years, he begins to appreciate the baffling nature of the alien intelligence. Written by Dan Ellis

Plot Summary | Plot Synopsis

Taglines:

Let us take you with us to Solaris, planet of mystery, embodiment of man's latent conflict with the unknown. Man, face to face with his conscience, and with his past.

Genres:

Drama | Mystery | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Filmnegah.com (Persian)

Country:

Soviet Union

Language:

Russian | German

Release Date:

26 September 1972 (Czechoslovakia) See more »

Also Known As:

Solaris See more »

Filming Locations:

Yalta, Crimea, Ukraine See more »

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Box Office

Budget:

RUR 1,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (unapproved cut)

Sound Mix:

Mono

Color:

Black and White (Eastman Double-X Negative Film)| Color (Eastman Color)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

There are a number of references to Cervantes' "Don Quixote" in the film. In the library, Snaut quotes from the novel ("Never before, Sancho, have I heard you speak so elegantly as now.") At one point, Dr Snaut also refers to tilting at windmills, and during the weightless scene, an open copy of Don Quixote flies past, showing the knight errant on his steed Rosinante. See more »

Goofs

When Kris is standing in the rain near the beginning of the film the camera tilts down to the table to show a coffee cup and various other items. The cut to the next shot of Kris shows him to have moved (which seems reasonable as a small amount of time has elapsed) but all the items on the table are now in a different configuration. See more »

Quotes

Kris Kelvin: Remember Tolstoy? His suffering over the impossibility of loving mankind as a whole? How much time has passed since then? Somehow I can't figure it out. Help me.
See more »

Alternate Versions

There are numerous differences between the Criterion Collection DVD and the DVD released by the Russian Cinema Council (RUSCICO) On the RUSCICO DVD The scene where Berton is driving on the highway in downtown Tokyo included a B&W shot which slowly and seamlessly fades into full color. This shot is entirely in color on the Criterion Collection DVD. The RUSCICO DVD ends part one right after Kris launches the rocket with Hari in it off the station. The Criterion Collection DVD ends part one right before the launch scene. There are also small changes in the subtitles most notably in the opening credits. The RUSCICO DVD translates a notation about Bach's Choral prelude being used in the film. On the Criterion Collection DVD this notation is not given subtitles. The RUSCICO DVD has an optional partially dubbed English language track. It includes English audio for dialog not subtitled in either version. There are also some minor changes in the audio itself the Criterion Collection DVD removes some of the sound reverberation for a few scenes. See more »

Connections

Referenced in The Man Who Fell to Earth (1976) See more »

Soundtracks

The Little Organ Book: Ich Ruf Zu Dir, Herr Jesu Christ - BWV 639
Composed by Johann Sebastian Bach (as I. S. Bakh)
See more »

Frequently Asked Questions

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User Reviews

 
had to watch it twice
19 January 1999 | by MrsRainbowSee all my reviews

I'm just starting out into the vast world of foreign film and having seen this film on many a video store shelf, and knowing that it was considered a sci-fi classic, I thought it would be a good way to spend an evening. Based on the case I was expecting something along the line of typical American sci-fi. Needless to say I was wrong.

I watched Solyaris twice in two days, because the first time I saw it I knew that I hadn't processed even a quarter of what I knew was there. I was taken completely aback. The second viewing was extremely rewarding.

It was unusual for me, raised as I was on the sledgehammer moralizing and we'll make our point so obvious that there's no way you can miss it because we have no respect for your intelligence way of American film. I'm a huge literature buff, and this was one of the very few films I've confronted that is thoughtful and has so many things to say yet does it in a literary or poetic fashion.

You will get out of this film what you bring to it. I've been to so many movies where the audience is not actually participating, it's being attacked. But true art is not domineering; it woos you.

So to sum up, I greatly appreciated Tarkovsky's unwillingness to manipulate the viewer. It showed that he had respect for me as a thinking soul, and it is this love and respect for humanity which makes this a truly great film.


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