Slaughterhouse-Five (1972)

A man named Billy Pilgrim tells the story of how he became unstuck in time and was abducted by aliens.

Director:

George Roy Hill

Writers:

Kurt Vonnegut Jr. (novel), Stephen Geller (screenplay)

Stars:

Michael Sacks, Ron Leibman, Eugene Roche

Nominated for 1 Golden Globe. Another 3 wins & 3 nominations.

Cast

Cast overview, first billed only:
Michael Sacks	...	Billy Pilgrim
Ron Leibman	...	Paul Lazzaro
Eugene Roche	...	Edgar Derby
Sharon Gans	...	Valencia Merble Pilgrim
Valerie Perrine	...	Montana Wildhack
Holly Near	...	Barbara Pilgrim
Perry King	...	Robert Pilgrim
Kevin Conway	...	Roland Weary
Friedrich von Ledebur	...	German Leader (as Friedrich Ledebur)
Ekkehardt Belle	...	Young German Guard (as Nick Belle)
Sorrell Booke	...	Lionel Merble
Roberts Blossom	...	Wild Bob Cody
John Dehner	...	Prof. Rumfoord
Gary Waynesmith	...	Stanley
Richard Schaal	...	Howard W. Campbell Jr.

Storyline

Using his own terminology, Billy Pilgrim is "unstuck in time", which means he is moving between different points in his life uncontrollably, although he is aware of it at certain of those points as witnessed by the letter to the editor he writes to the Ilium Daily News about his situation. Primarily, he is moving between three general time periods and locations. The first is his stint as a GI during WWII, when, as a pacifist, he was acting as a Chaplain's assistant for his unit. This time is largely as a POW, where he was in Dresden the day of the bombing, spending it with among others an older compassionate GI named Edgar Derby, and a brash loudmouth GI named Paul Lazzaro. The second is his life as an optometrist in Ilium in upstate New York, eventually married to the wealthy and overbearing Valencia Merble, and having two offspring, Robert, who would spend his teen-aged years as a semi-delinquent, and Barbara, who would end up much like her mother. And the third is as an abductee on...

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Plot Keywords:

prisoner of war camp | alien abduction | nonlinear timeline | time travel | 1940s | 

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Taglines:

Billy Pilgrim lives - from time to time to time...

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Genres:

Comedy | Drama | Sci-Fi | War

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Certificate:

R

Details

Country:

USA

Language:

English German

Release Date:

15 March 1972 (USA)

Also Known As:

Slaughterhouse-Five

Filming Locations:

Czech Republic

Box Office

Budget:

$3,200,000 (estimated)

Company Credits

Production Co:

Universal Pictures, Vanadas Productions

Technical Specs

Runtime:

104 min 93 min (Ontario - edited)

Sound Mix:

Mono (Westrex Recording System) 4-Track Stereo

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Kurt Vonnegut Jr., author of the book this film was adapted from, was a prisoner of war in World War II. He was captured during the Battle of the Bulge while a battalion scout with the 106 Infantry Division on December 22, 1944, and used these experiences in his novel when Billy Pilgrim is captured by the Germans and sent to a POW camp. Vonnegut also lived through the bombing of Dresden and used that experience in the book.

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Goofs

An aerial shot of the aeroplane in which Pilgrim is flying is reversed to make it appear to be flying left-right. The registration is reversed as it's actually a shot of the left side of the aircraft.

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Quotes

Billy Pilgrim: [in his sleep] You guys go on without me. I'll be alright.
Prof. Rumfoord: All he does in his sleep is quit, surrender, and apologize. I could carve a better man out of a banana.

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Connections

Referenced in Mystery Science Theater 3000: Operation Double 007 (1993)

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Soundtracks

Brandenburg Concerto No.4 in G major, BWV 1049 - 3rd movement 'Presto'
Written by Johann Sebastian Bach (as J.S. Bach)
Rudolf Serkin, Harpsichord
Alexander Schneider, Violin
Marlboro Festival Orchestra
Pau Casals (as Pablo Casals), Conductor

User Reviews

So it goes

Kurt Vonnegut was more than worthy of the National Book Award that he received for the novel Slaughterhouse Five, but his humor and literary expertise are often lost in screenplays.

This flawed movie was a cult classic since its release because legions of Vonnegut fans were so fond of the novel that they could overlook the film's flaws. This is probably the only Vonnegut novel to make the transition to the screen as a movie that more than a handful of people are willing to watch. And they watch it again and again. I am reminded of Voltaire lovers who enjoy Leonard Bernstein's Candide. This seems to be the best of all possible Vonnegut movies.

There is a wealth of trivia associated with the cast. Michael Sacks disappeared into obscurity. Sharon Gans joined a community theater company that seemed more like a cult. Holly Near became a feminist folksinger. Valerie Perrine would later give a great performance as Honey Bruce in Bob Fosse's Lenny. Perry King and Ron Liebman became minor stars.

The story is largely allegorical. It is not science-fiction. Vonnegut is coping with the trauma of World War II, particularly the horrors he witnessed during the firebombing of Dresden. Billy Pilgrim's emotional numbness and alientation are characteristic of combat fatigue or post traumatic stress. Despite the lack of a chronological plot, Billy Pilgrim's arc is linear.

To the uninitiated, being "unstuck in time" can be confusing. It's sort of like one's first encounter with hypertext. Perhaps, that's why the movie is better on the second or third viewing. The key to enjoying Slaughterhouse Five is to focus on the best scenes and performances -- much like Billy Pilgrim's advice on living.