Slaughterhouse-Five (1972)

A man named Billy Pilgrim tells the story of how he became unstuck in time and was abducted by aliens.

Director:

George Roy Hill

Writers:

Kurt Vonnegut Jr. (novel), Stephen Geller (screenplay)

Stars:

Michael Sacks, Ron Leibman, Eugene Roche

Nominated for 1 Golden Globe. Another 3 wins & 3 nominations.

Cast

Cast overview, first billed only:
Michael Sacks	...	Billy Pilgrim
Ron Leibman	...	Paul Lazzaro
Eugene Roche	...	Edgar Derby
Sharon Gans	...	Valencia Merble Pilgrim
Valerie Perrine	...	Montana Wildhack
Holly Near	...	Barbara Pilgrim
Perry King	...	Robert Pilgrim
Kevin Conway	...	Roland Weary
Friedrich von Ledebur	...	German Leader (as Friedrich Ledebur)
Ekkehardt Belle	...	Young German Guard (as Nick Belle)
Sorrell Booke	...	Lionel Merble
Roberts Blossom	...	Wild Bob Cody
John Dehner	...	Prof. Rumfoord
Gary Waynesmith	...	Stanley
Richard Schaal	...	Howard W. Campbell Jr.

Storyline

Using his own terminology, Billy Pilgrim is "unstuck in time", which means he is moving between different points in his life uncontrollably, although he is aware of it at certain of those points as witnessed by the letter to the editor he writes to the Ilium Daily News about his situation. Primarily, he is moving between three general time periods and locations. The first is his stint as a GI during WWII, when, as a pacifist, he was acting as a Chaplain's assistant for his unit. This time is largely as a POW, where he was in Dresden the day of the bombing, spending it with among others an older compassionate GI named Edgar Derby, and a brash loudmouth GI named Paul Lazzaro. The second is his life as an optometrist in Ilium in upstate New York, eventually married to the wealthy and overbearing Valencia Merble, and having two offspring, Robert, who would spend his teen-aged years as a semi-delinquent, and Barbara, who would end up much like her mother. And the third is as an abductee on...

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Plot Keywords:

pilgrim | optometrist | planet | dresden | starlet | 

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Taglines:

He survived the deadliest day on Earth! To enjoy the sexiest night in outer space!

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Genres:

Comedy | Drama | Sci-Fi | War

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Certificate:

R

Details

Country:

USA

Language:

English German

Release Date:

15 March 1972 (USA)

Also Known As:

Matadero cinco

Filming Locations:

Czech Republic

Box Office

Budget:

$3,200,000 (estimated)

Company Credits

Production Co:

Universal Pictures, Vanadas Productions

Technical Specs

Runtime:

104 min 93 min (Ontario - edited)

Sound Mix:

Mono (Westrex Recording System) 4-Track Stereo

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The aircraft used in the movie was owned by the 3M Company.

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Goofs

In the scenes of Tralfamadore, the planet Jupiter (easily recognizable by its giant red spot, which is a massive permanent storm) is visible in the background, but it never rotates.

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Quotes

Paul Lazzaro: That corporal. He'll get back home after the war. He'll be a big hero. Dames'll be climbin' all over him. Couple of years go by, and one day there's gonna be a knock on his door and there'll be this stranger. "Paul Lazzaro sent me," the stranger will say and then he'll pull out a gun and shoot his pecker off. Stranger will give him a couple of seconds to think about who Paul Lazzaro is and what life's gonna be like without a pecker. Then he'll shoot him once in the guts and walk away. Yes.

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Connections

Followed by Mother Night (1996)

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Soundtracks

Concerto No 3 for Harpsichord in D major, BWV 1054 - 3rd movement 'Allegro'
Written by Johann Sebastian Bach (as J.S. Bach)
Glenn Gould, Piano
Columbia Symphony Orchestra
Vladimir Goldschmann, Conductor

User Reviews

A brilliant and faithfull adaption.

"Slaughterhouse 5" is perhaps the best book-film translation I've ever seen.

Let me safely say that Kurt Vonneguts 'Slaughterhouse 5' is my favourite book ever. It is incredibly funny and moving above any book I've ever read. But it is also a very complex and philosophical story with many deeply rooted undertones. As such, I strongly urge people to READ THE BOOK before you see this movie. A great many points are left unexplained to the viewer, assuming they have read Vonneguts version. As I read it beforehand, the movie didn't insult my intelligence by putting Vonneguts ideas in plain view. Instead, it relies faithfully on the viewers interpretations, not unlike the book.

Once again, unless you have a mind open like a 7-11, READ THE BOOK. Take my advice, and be immersed in the greatest story of the 20th century.