7.4/10
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48 user 54 critic
A fluid, unconnected and sometimes chaotic procession of scenes detailing the various people and events of life in Italy's capital, most of it based on director Federico Fellini's life.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Bernardino Zapponi (story) | 2 more credits »
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Nominated for 1 Golden Globe. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Peter Gonzales Falcon Peter Gonzales Falcon ... Fellini, Age 18 (as Peter Gonzales)
Fiona Florence Fiona Florence ... Dolores - Young Prostitute
Britta Barnes Britta Barnes
Pia De Doses Pia De Doses ... Princess Domitilla
Marne Maitland ... Guide in the Catacombs
Renato Giovannoli Renato Giovannoli ... Cardinal Ottaviani
Elisa Mainardi ... Pharmacist's wife / Cinema spectator
Stefano Mayore Stefano Mayore ... Fellini as a Child
Galliano Sbarra Galliano Sbarra ... Music Hall Compere
Anna Magnani ... Anna Magnani
Ginette Marcelle Bron Ginette Marcelle Bron ... (as Marcelle-Ginette Bron)
Gore Vidal ... Himself
Edit

Storyline

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens. blending autobiography (a reconstruction of Fellini's own arrival in Rome during the Mussolini years; a trip to a brothel and a music-hall) with scenes from present-day Roman life (a massive traffic jam on the autostrada; a raucous journey through Rome after dark; following an archaeological team through the site of the Rome subways; an unforgettable ecclesiastical fashion show) Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Taglines:

The fall of the Roman Empire 1931-1972. See more »

Genres:

Comedy | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France

Language:

Italian | German | English | French | Latin | Spanish

Release Date:

15 October 1972 (USA) See more »

Also Known As:

Fellini's Roma See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Halfway through the film, in the outdoor scene where the older man is complaining about the degradation of Roman culture, you can see Fellini playing himself, surrounded by Italian college students and film crew members. See more »

Goofs

Peter Gonzales Falcon's hairstyles are all in the longish 1972 mode, even though the portions of the film in which he appears are supposed to be taking place thirty or more years earlier, at which time men's hair was cut much, much shorter, and would never be worn as it appears in this film. See more »

Alternate Versions

The Italian version has only a few voiceovers by Federico Fellini at the beginning of some scenes. The english-language version features an additional first person narration through most of the film giving more background information to help non-italian viewers. This voiceover starts immediately during the title credits informing the viewer that the film they're about to see doesn't have a 'story' in the traditional sense with plot and characters, but is a semi-documentary about a city. See more »

Connections

Referenced in Hu die (2004) See more »

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User Reviews

 
Roma
28 May 2005 | by paolodriussiSee all my reviews

Roma explores the city of Rome from several different perspectives, giving it a mystical life of its own that hangs in the balance between its rich history and its modern identity. With no real chronology, Roma is a tapestry of bizarre scenes and familiar images that blend together into a gorgeous visual carnival. Typical of Fellini, with the carnival comes a critique--and Roma tears through the city's political and religious history, satirizing the Catholic church and various faces of Italian government from Renaissance times through Mussolini's reign and on into the 1960s. While the camera lavishes affectionately over Rome's art and architecture and is clearly a tribute to the Eternal City, most of the sets in the film are constructed, reinforcing Fellini's narrative imagination and keeping viewers caught in a perpetual contradiction between reality and fantasy, history and the present, fact and fiction.


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