A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens. blending autobiography (a reconstruction of Fellini's own arrival in Rome during the Mussolini years; a trip to a brothel and a music-hall) with scenes from present-day Roman life (a massive traffic jam on the autostrada; a raucous journey through Rome after dark; following an archaeological team through the site of the Rome subways; an unforgettable ecclesiastical fashion show)
Michael Brooke <firstname.lastname@example.org>
Take a tour with Fellini through the eternal city.
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Did You Know?
Halfway through the film, in the outdoor scene where the older man is complaining about the degradation of Roman culture, you can see Fellini playing himself, surrounded by Italian college students and film crew members. See more
Peter Gonzales Falcon's hairstyles are all in the longish 1972 mode, even though the portions of the film in which he appears are supposed to be taking place thirty or more years earlier, at which time men's hair was cut much, much shorter, and would never be worn as it appears in this film. See more
You ask me why an American writer would want to live in Rome. First of all, because I like Romans. They don't give a damn if you're dead or alive. They're neutral, like cats. Rome is the city of illusions. It's not merely by chance that you have the church, the government, the cinema. They each produce illusions, like you do and like I do.
Originally released in a 128 minutes version. Later cut to 119 minutes. See more
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