The Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by ... See full summary »
Fernando de Fuentes
Antonio R. Frausto,
In a Gothic-styled monastery, a monk named Javier sees the face of another monk, Juan, and suddenly attempts to bludgeon him to death with a heavy crucifix. Both men then relate their own ... See full summary »
Juan Bustillo Oro
The most prominent female painter of Latin America, Frida Kahlo, is agonizing in her Coyoacán home. She evokes memories of her childhood, of the streetcar accident that caused her terrible ... See full summary »
Juan José Gurrola,
The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.
Berenice (Navarro) is a woman with a mysterious past. A scar crosses her face and nightmares of fire and horses fill her lonely nights. She maybe killed her husband but nobody can be sure. ... See full summary »
Jaime Humberto Hermosillo
Pedro Armendáriz Jr.,
Luz is in jail, accused of murdering her own children. Her husband and her mother-in-law say she killed them in cold blood. Dr. Rebollar tries to help the woman, but she refuses to remember... See full summary »
Patricia Reyes Spíndola,
Julia (Rojo) is a phone operator in Mexico City who divides her time between her job, her daughter and the danzon: a cuban dance very popular in Mexico and Central America. Every wednesday ... See full summary »
A young lawyer and owner of a great property in the interior of Venezuela tríes to recover its control in the name of the law, fighting against his neighbour, a powerful, seductive and ... See full summary »
Fernando de Fuentes,
Miguel M. Delgado
María Elena Marqués
In the early 1960s there was a strong film movement in most Latin American countries that originated the so-called New Latin American Cinema. Pioneer countries were Argentina, Brazil and Cuba, but this "new wave" mostly consisted of documentaries and shorts that hardly made it to the screens outside their countries of origin. Then, in Mexico during the 1970s, with the help of the state, and through its powerful distribution machine (the now extinct Peli-Mex), we could see movies by new directors, many graduates from film schools. Among these was Paul Leduc, formed in France, whose first work "Reed: México insurgente", based on John Reed's account of his 1913 travel to México, was acclaimed as the first true portrait of Mexican revolution in a feature. Made independently from Mexican unions (which initially caused it to be banned from screens), using documentary techniques, sparse dialogue, sepia-tinted images, and a more restrained aesthetics than Brazilian film guru Glauber Rocha's wild cinema, Leduc became an icon of renovation, and his movie, a sign of hope for many filmmakers, and an early example of post-modern cinema. This work led to other films by Leduc, which are among the best of Latin American cinema, as "Etnocidio" and especially "Frida: Naturaleza viva", so far the best film based on Frida Kahlo's life and work, with an outstanding performance by Ofelia Medina.
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