A vicious Kansas City slaughterhouse owner and his hick family are having a bloody "beef" with the Chicago crime syndicate over profits from their joint illegal operations. Top enforcer Nick Devlin is sent to straighten things out.
Los Angeles private investigator Harry Moseby is hired by a client to find her runaway teenage daughter. Moseby tracks the daughter down, only to stumble upon something much more intriguing and sinister .
During World War I, a British aristocrat, an American entrepreneur, and the latter's attractive young daughter, set out to destroy a German battlecruiser, which is awaiting repairs in an inlet just off Zanzibar.
A Chicago mob enforcer is sent to Kansas City to settle a debt with a cattle rancher who not only grinds his enemies into sausage, but sells women as sex slaves.Written by
Brian J. Wright <email@example.com>
The hinted gay relationship between the two brothers was considered groundbreaking at the time. See more »
When Nick enters the cornfield there's a spot on the back of his jacket. Next scene the strap on the pouch is covering it. See more »
I never knew a man before; not even to talk to.
Well where did they keep you?
In the orphanage with the other girls.
And where was that?
It was in Missouri. It's the only home I really remember. It was in the country.
Then you have nobody?
Violet, the other girl that was with me. She's my sister... well, not truly but we're closer than that. Violet and me we'd climb into each other's bed when it was really cold in the winter time and hug each other really close. Sometimes we'd...
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In all of the marketing media, Lee Marvin and Gene Hackman were both billed above the title. However, in the opening credits, only Marvin is. See more »
It helps if you are a big Lee Marvin fan to enjoy this movie - but even if you're not especially, there's still enough in here to raise it above run-of-the-mill.
The cinematography is first-rate; lots of use of natural light and dingy locations of the city contrasted with the golden Kansas sunshine. Both Marvin and Gene Hackman are terrific and each exude good screen presence as gangsters at odds with each other, culminating in the shoot-out in the sunflower field and cattle house.
The film is slightly let down by the sentimental and unnecessary last scene at the orphanage, which feels grafted on, although the very final shot of the children running into the countryside hints at some kind of hope for the future (post Vietnam), not least between Nick Devlin (Marvin) and his new girl Sissy Spacek.
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