The former star of "The Affair" and "Fringe" talks from home about his new series, "Little Fires Everywhere."
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Title: Play It Again, Sam (1972)
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| Complete credited cast: | |||
| Woody Allen | ... | Allan | |
| Diane Keaton | ... | Linda | |
| Tony Roberts | ... | Dick | |
| Jerry Lacy | ... | Bogart | |
| Susan Anspach | ... | Nancy | |
| Jennifer Salt | ... | Sharon | |
| Joy Bang | ... | Julie | |
| Viva | ... | Jennifer | |
| Susanne Zenor | ... | Discotheque Girl (as Suzanne Zenor) | |
 |
Diana Davila | ... | Museum Girl |
|
|
Mari Fletcher | ... | Fantasy Sharon |
| Michael Greene | ... | Hood #1 | |
| Ted Markland | ... | Hood #2 | |
A mild mannered film critic is dumped by his wife and his ego is crushed. His hero persona is the tough guy played by Humphrey Bogart in many of his movies and the apparition of Bogart begins showing up to give him advice. With the encouragement of his two married friends, he actually tries dating again, with less than satisfactory results, until he relaxes. Written by John Vogel <jlvogel@comcast.net>
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I'm a big fan of Woody Allen. While his films often have something wrong with them, you can always count on a good time and a laugh while you're watching - and that's certainly what you get here! Woody Allen films are always best when Woody himself stars in them; his neurotic persona is a great base for laughs, and he certainly delivers in this film! For some reason, Woody Allen chose not to direct this film himself and Herbert Ross has got that job. Due to the cast, and Woody's script, however, this is very much another Woody Allen flick, no matter who is in the director's chair. This film also features the first screen pairing of Allen and Diane Keaton, who would, of course, go on to make Allen's masterpiece 'Annie Hall', along with Tony Roberts, who also co-stars here. The plot of the movie plays out like a tribute to Casablanca, and it sees recently dumped Allen falling in love with his best friend's wife, all the while under the watchful eye of the great Humphrey Bogart, whom he sees in his daydreams.
The humour in this film is awesome and also amazingly funny. Scenes that see Woody Allen blunder his way through dates are hilarious, and Allen's dialogue is at its dry and witty peak. The scene in which he tells of a fight he had with two 'hairdressers' being an excellent example of his writing. Allen tends to play the same sort of character in all of his films, and the one here shows him doing that again. This would be a problem, if he weren't so amazingly good at it. As the man festers in his own pathos; we can really believe it, and this gives the film a great sense of believability and also offers up a prime example of Allen acting at his best. The film isn't a complete one-man show, however, as the underrated Tony Roberts, along with Diane Keaton also give grand performances. The movie tributes in the film are many, with most pointing to the great Casablanca - and this is a good thing as far as I'm concerned. On the whole, this is an intelligent, entertaining and hilarious movie from one of cinema's best comedians. Highly recommended!