Play It Again, Sam (1972)

A neurotic film critic obsessed with the movie Casablanca (1942) attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.

Director:

Herbert Ross

Writers:

Woody Allen (based on the play by), Woody Allen (screenplay)

Stars:

Woody Allen, Diane Keaton, Tony Roberts

1 win.

Cast

Complete credited cast:
Woody Allen	...	Allan
Diane Keaton	...	Linda
Tony Roberts	...	Dick
Jerry Lacy	...	Bogart
Susan Anspach	...	Nancy
Jennifer Salt	...	Sharon
Joy Bang	...	Julie
Viva	...	Jennifer
Susanne Zenor	...	Discotheque Girl (as Suzanne Zenor)
Diana Davila	...	Museum Girl
Mari Fletcher	...	Fantasy Sharon
Michael Greene	...	Hood #1
Ted Markland	...	Hood #2

Storyline

A mild mannered film critic is dumped by his wife and his ego is crushed. His hero persona is the tough guy played by Humphrey Bogart in many of his movies and the apparition of Bogart begins showing up to give him advice. With the encouragement of his two married friends, he actually tries dating again, with less than satisfactory results, until he relaxes.

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Plot Keywords:

dating | neurosis | imaginary friend | san francisco california | based on play | 

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Taglines:

It's still the same old story, a fight for love and glory.

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Genres:

Comedy | Romance

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Certificate:

PG

Details

Country:

USA

Language:

English Italian

Release Date:

28 April 1972 (USA)

Also Known As:

Aspirins for Three

Filming Locations:

San Francisco, California, USA

Company Credits

Production Co:

Paramount Pictures, Rollins-Joffe Productions, APJAC Productions

Technical Specs

Runtime:

85 min

Sound Mix:

Mono

Color:

Black and White (archive footage) Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The original Broadway production of "Play It Again, Sam" opened at the Broadhurst Theater on February 12, 1969 and ran for 453 performances until March 14, 1970. Woody Allen, Diane Keaton, Tony Roberts and Jerry Lacy reprised their roles in the movie.

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Goofs

When Allan and Linda walk up the steps to Linda's apartment, a hand-held mike is visible at bottom of screen briefly.

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Quotes

[first lines]
[clip from 'Casablanca']
Airport guard: Hello, radio tower, Lisbon plane taking off in ten minutes, east runway. Thank you.
Richard 'Rick' Blaine: Louis, have your man go with Mr. Lazlo and take care of his luggage.
Captain Renault: Certainly, Rick, anything you say. Find Mr. Lazlo's luggage and put it on the plane.
Airport guard: Yes, sir. This way please.

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Alternate Versions

Since the Casablanca reference in the title wasn't immediately clear to italian audiences, the name of Woody Allen's character was been changed from Allan to Sam in the Italian release.

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Connections

Spoofed in A Woody Allen Couple (2015)

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Soundtracks

Casablanca
from Casablanca (1942) (uncredited)
Incidental music by Max Steiner

User Reviews

Hilarious Woody Allen romp

I'm a big fan of Woody Allen. While his films often have something wrong with them, you can always count on a good time and a laugh while you're watching - and that's certainly what you get here! Woody Allen films are always best when Woody himself stars in them; his neurotic persona is a great base for laughs, and he certainly delivers in this film! For some reason, Woody Allen chose not to direct this film himself and Herbert Ross has got that job. Due to the cast, and Woody's script, however, this is very much another Woody Allen flick, no matter who is in the director's chair. This film also features the first screen pairing of Allen and Diane Keaton, who would, of course, go on to make Allen's masterpiece 'Annie Hall', along with Tony Roberts, who also co-stars here. The plot of the movie plays out like a tribute to Casablanca, and it sees recently dumped Allen falling in love with his best friend's wife, all the while under the watchful eye of the great Humphrey Bogart, whom he sees in his daydreams.

The humour in this film is awesome and also amazingly funny. Scenes that see Woody Allen blunder his way through dates are hilarious, and Allen's dialogue is at its dry and witty peak. The scene in which he tells of a fight he had with two 'hairdressers' being an excellent example of his writing. Allen tends to play the same sort of character in all of his films, and the one here shows him doing that again. This would be a problem, if he weren't so amazingly good at it. As the man festers in his own pathos; we can really believe it, and this gives the film a great sense of believability and also offers up a prime example of Allen acting at his best. The film isn't a complete one-man show, however, as the underrated Tony Roberts, along with Diane Keaton also give grand performances. The movie tributes in the film are many, with most pointing to the great Casablanca - and this is a good thing as far as I'm concerned. On the whole, this is an intelligent, entertaining and hilarious movie from one of cinema's best comedians. Highly recommended!