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Pink Flamingos (1972)

Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".

Director:

John Waters

Writer:

John Waters
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4,015 ( 166)

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Cast

Cast overview, first billed only:
Divine ... Divine / Babs Johnson
David Lochary David Lochary ... Raymond Marble
Mary Vivian Pearce ... Cotton
Mink Stole ... Connie Marble
Danny Mills Danny Mills ... Crackers
Edith Massey ... Edie
Channing Wilroy Channing Wilroy ... Channing
Cookie Mueller ... Cookie
Paul Swift Paul Swift ... The Egg Man
Susan Walsh ... Suzie
Linda Olgeirson Linda Olgeirson ... Linda
Pat Moran ... Patty Hitler (Party Guest In Nazi Uniform)
Jack Walsh Jack Walsh ... Party Guest
Bob Skidmore Bob Skidmore ... Delivery Boy
Pat Lefaiver Pat Lefaiver ... First Lesbian (as Pat LeFaiver)
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Storyline

Sleaze queen Divine lives in a caravan with her mad hippie son Crackers and her 250-pound mother Mama Edie, trying to rest quietly on their laurels as 'the filthiest people alive'. But competition is brewing in the form of Connie and Raymond Marble, who sell heroin to schoolchildren and kidnap and impregnate female hitchhikers, selling the babies to lesbian couples. Finally, they challenge Divine directly, and battle commences... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Plot Synopsis

Taglines:

An exercise in poor taste. See more »

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated NC-17 for a wide range of perversions in explicit detail | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

October 1979 (West Germany) See more »

Also Known As:

John Waters' Pink Flamingos See more »

Filming Locations:

Baltimore, Maryland, USA See more »

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Box Office

Budget:

$10,000 (estimated)

Opening Weekend USA:

$70,188, 13 April 1997, Limited Release

Gross USA:

$180,483, 20 April 1997

Cumulative Worldwide Gross:

$1,250,000, 31 December 1974
See more on IMDbPro »

Company Credits

Production Co:

Dreamland See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release) | (re-release) | (re-release) | (re-release)

Sound Mix:

Dolby (1997 re-release)| Mono

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

According to director John Waters, the film's budget was so tight, that he could not afford "A" and "B" reels. The work print was in effect the master copy. See more »

Goofs

During a tracking shot along a sidewalk, the window frame of the camera car enters the shot. See more »

Quotes

Connie Marble: Oh, I love you Raymond. I love you more than anything in this whole world. I love you more than my own filthiness, more than my own hair color. Oh God, I love you more than the sound of bones breaking, the sound of death rattle - even more than the sound of my own shit do I love you, Raymond.
Raymond Marble: And I, Connie, also love you more than anything that I could ever imagine: more than my hair color, more than the sound of babies crying, of dogs dying - even more than the thought of original sind itself....
See more »

Crazy Credits

For Sadie, Katie, and Les- February 1972 (The Manson Family members Susan Atkins, Patricia Krenwinkel and Leslie Van Houten. February 1972 was the month when the California State Supreme Court abolished the death penalty in California (it was later reinstated), reducing the sentences of the convicted Manson Family members to life imprisonment.) See more »

Alternate Versions

Because of this film's off-color, explicit nature, it has been edited for content many times all over the world. The Canadian censors recently reinstated five of the seven scenes that were originally edited in that country. The United Kingdom has never seen the complete version of the film. A town on Long Island, New York banned the film altogether. The Japanese laserdisc version contains a blur superimposed over all displays of pubic hair. Prints also exist that were censored by the Maryland Censor Board. See more »

Connections

Spoofed in B Movie (1989) See more »

Soundtracks

(How Much Is) That Doggie In the Window
Written by Bob Merrill
Performed by Patti Page
Courtesy of Mercury Nashville Records
by Arrangement with PolyGram Film and TV Licensing
See more »

Frequently Asked Questions

See more »

User Reviews

 
They just don't make 'em like they used to.
10 December 2004 | by Vancity_Film_FanaticSee all my reviews

On the surface "Pink Flamingos" could easily be dismissed as a nostalgic piece of shock cinema. With an unparalleled level of notoriety -- based almost entirely on the final scene, the film has become a curiosity of sorts and a right of passage for those testing their own boundaries of decency. Beneath this seedy exterior however, lies a brilliant and biting satire of society's obsession with fame and the lengths one will go to in order to achieve it. This theme is relevant even more so today than it ever was. Just consider the over abundance of reality TV shows, for example 'Fear Factor' – a show boasting contestants eager and willing to outdo one another by performing a variety of dangerous stunts and eating unimaginable specimens – how is this any different than the characters in 'Pink Flamingos' attempting to outdo one another in an effort to claim the dubious title of the filthiest people alive? Society is (and has always been) captivated with sensationalism; from the Roman era and the coliseum packed with bloodthirsty audiences, to modern day and the likes of the 'Jerry Springer Show' (of which Babs Johnson and the Marbles would make excellent guests!!). The purpose of "Pink Flamingos" is to not only put a hilariously depraved spin on the fascination with celebrity but to also provide a cautionary tone to the dissolution of society itself. The performances are all top-notch; especially the ever-dependable and over-the-top Mink Stole, as heartless Connie Marble; and scene stealing Edith Massey, as Edie 'The Egg Lady'. It's amazing that the film is over thirty-years old because the message is just as fresh today as it was back in 1972.


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