Small-time criminal Cooper manages several warehouses in Los Angeles that the mob use to stash their stolen goods. Known as "the key man" for the key chain he always keeps on his person ... See full summary »
During his summer vacation on Nantucket Island in 1942, a youth eagerly awaiting his first sexual encounter finds himself developing an innocent love for a young woman awaiting news on her soldier husband's fate in WWII.
A young college student is sent to prison as much for killing a pedestrian with his car as for not paying his parking tickets. When the opportunity presents itself he escapes and is ... See full summary »
In the summer of 1935, 12-year-old twins Niles and Holland Perry live with their family on a Connecticut farm. Their loving grandmother Ada has taught them something called "the game." A number of accidents begin happening, and it seems to Niles that Holland is responsible. It is Ada who begins to see the truth, and she is the only one who can stop this macabre game of murder.Written by
What's going on?
I'm waiting for him to disappear.
Don't be a dumbell, nobody can do that!
I know! I wanna find out how he does it. Holland? How?
I'll play the game on him!
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When shown on Network Television the last shot contained a voiceover, in which the person in the shot said they were going to tell the sheriff the truth about all the bad things which had been going on. See more »
Many horror fans, and those who try to write such stories, understand that Stephen King has taken inspiration from the work of others. And there can be little doubt King was greatly influenced by Thomas Tryon's outstanding novels Harvest Home and The Other.
The TV movie version of The Other enjoyed good-ratings and critical acclaim when it was first broadcast on CBS in 1972. Although Stephen King was actively writing horror at the time, I suspect he took subtle cues from The Other. Among other things, little Danny Torrance's psychic manifestation of "the shining" is curiously similar to a phenomena called "playing the game" in Tryon's story.
Thomas Tryon wrote with an elegant style somewhat reminiscent of H.P. Lovecraft's. His plots were engaging, his characters interesting and well developed, and his New England settings evoked the gloom and obscure anxiety traditionally associated with that region. So why has his work faded into near-obscurity while King's is heralded as the greatest in the history of horror?
Regrettably, Tryon, who was one of the most highly regarded young actors in Hollywood, started writing rather late in life and died while his creative powers were waning. He also chose to explore genres other than the Gothic (with generally good results.) There is also a more staid, pre-World War II air about his work that might not appeal King's core audience. Nevertheless, Tryon's Gothic efforts translated wonderfully onto the small screen, and he deserves a well-deserved place in the pantheon of American Gothic writers.
Thankfully, American Movie Classics has begun airing The Other again, and a new generation of fans now has the opportunity to enjoy this seminal work of cinematic horror.
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