A series of gruesome accidents plague a small American farming community in the summer of 1935, encircling two identical twin brothers and their family.
Small-time criminal Cooper manages several warehouses in Los Angeles that the mob use to stash their stolen goods. Known as "the key man" for the key chain he always keeps on his person ... See full summary »
During his summer vacation on Nantucket Island in 1942, a youth eagerly awaiting his first sexual encounter finds himself developing an innocent love for a young woman awaiting news on her soldier husband's fate in WWII.
Director:
Robert Mulligan
Stars:
Jennifer O'Neill,
Gary Grimes,
Jerry Houser
American professor John Holden arrives in London for a parapsychology conference, only to find himself investigating the mysterious actions of Devil-worshiper Julian Karswell.
Director:
Jacques Tourneur
Stars:
Dana Andrews,
Peggy Cummins,
Niall MacGinnis
Physicist Lionel Barrett and his wife lead a team of mediums into the Belasco House, which is supposedly haunted by the victims of its late owner, a six-foot-five serial killer.
Director:
John Hough
Stars:
Roddy McDowall,
Gayle Hunnicutt,
Pamela Franklin
A salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician, who does not even remember her. Eventually, they get to know each another and fall in love.
The ghost of a sadistic nobleman attempts to rekindle his romance with his terrorized, masochistic ex-lover, who is unwillingly affianced to his brother.
In the summer of 1935, 12-year-old twins Niles and Holland Perry live with their family on a Connecticut farm. Their loving grandmother Ada has taught them something called "the game." A number of accidents begin happening, and it seems to Niles that Holland is responsible. It is Ada who begins to see the truth, and she is the only one who can stop this macabre game of murder.Written by
<harang@cajunnet.com>
In post-production, editing done to the film caused over half of Jerry Goldsmith's music to be left out. The soundtrack was finally available in 1997 along with The Mephisto Waltz (1971). See more »
Goofs
When Niles is talking to his mother in the front yard in 1935, a jet plane is heard going overhead. See more »
Quotes
Holland Perry:
That damn Uncle George! He said he was gonna do it and he did.
See more »
Alternate Versions
This voiceover from the broadcast television version (which hasn't aired in years... all recent showings show the true, theatrical version) is said in the final shot, by Niles, as follows:
"Holland, the game's over. We can't play the game anymore. But when the sheriff comes, I'll ask him if we can play it in our new home."
This voiceover immediately follows Winnie saying "Niles, wash up now." This voiceover, however, cuts off something else that is said by Winnie. In the theatrical version, this voiceover is nonexistent, and Winnie says "Niles, wash up now. Time for lunch." and that is the last line of dialogue spoken in the movie. It is obvious that this ending was especially done for television so that the "bad guy doesn't get away with it." The theatrical version, without this voiceover, implies that Niles never does get caught.
I remember very clearly that parts of the Thomas Tryon novel just about had me wetting myself, it was that scary, and I wondered if the movie version would do it justice. In many ways, it nearly surpasses the book...which is something that rarely ever happens. Some people don't care for the performances by Chris and Martin Udvarnoky as the twins, Niles and Holland, but the fact that they weren't typical "Hollywoodized" child stars enabled them to give more naturalistic performances, thereby making them more believable...and creepy.
And what can you say about one of theater's Grande Dames, Uta Hagen? I think this was the only film I've ever seen her in, and she's spectacular. Well before "bad kids" became a genre cliché, this one beats all the other like-minded thrillers by a mile, even THE OMEN. (Well, maybe not THE BAD SEED, though.)
And as the cherry-on-top, Jerry Goldsmith turned in one of his best scores on this one. And DP Robert Surtees' work is so beautiful in contrast to the sheer horror it has us bear witness to...
Director Mulligan deserved all the praise he got for THE OTHER, and more acclaim than he did get because of the fact that it was considered a "low-class horror movie." When you watch it, though, you may not think so by the chilling ending. See if this doesn't stay with you for weeks afterward, the way it did for me...
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I remember very clearly that parts of the Thomas Tryon novel just about had me wetting myself, it was that scary, and I wondered if the movie version would do it justice. In many ways, it nearly surpasses the book...which is something that rarely ever happens. Some people don't care for the performances by Chris and Martin Udvarnoky as the twins, Niles and Holland, but the fact that they weren't typical "Hollywoodized" child stars enabled them to give more naturalistic performances, thereby making them more believable...and creepy.
And what can you say about one of theater's Grande Dames, Uta Hagen? I think this was the only film I've ever seen her in, and she's spectacular. Well before "bad kids" became a genre cliché, this one beats all the other like-minded thrillers by a mile, even THE OMEN. (Well, maybe not THE BAD SEED, though.)
And as the cherry-on-top, Jerry Goldsmith turned in one of his best scores on this one. And DP Robert Surtees' work is so beautiful in contrast to the sheer horror it has us bear witness to...
Director Mulligan deserved all the praise he got for THE OTHER, and more acclaim than he did get because of the fact that it was considered a "low-class horror movie." When you watch it, though, you may not think so by the chilling ending. See if this doesn't stay with you for weeks afterward, the way it did for me...