An idealistic rookie cop joins the L.A.P.D. to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
A group of new police recruits takes to patrolling the streets of Los Angeles. Roy Fehler is a law student with a family and has joined the LAPD until he can complete his degree. He's partnered with veteran patrolman Kilvinski and they soon develop a good rapport. On the street the policemen are exposed to the seedier side of life but Kilvinski is a fair cop and a good teacher. Over time however, Fehler comes to love the work and both his family and his studies fall by the wayside. Kilvinsky retires and Fehler loses his way, drinking heavily. Fehler's wife leaves him and he soon hits bottom. Just as he begins to get his life in order, fate intervenes.Written by
Isabelle Sanford as a hooker in an early scene. See more »
Both Fahler and Kilvinski make a grievous error (not to mention violating both LAPD policy and procedure) by not handcuffing the truck driver when they arrest him. That is the first thing that should have been done before placing him in the back seat of the patrol car, especially given his belligerence about being pulled over and issued a traffic ticket, which then he refused to sign. See more »
Roy, I'm leaving you.
When did you decide this?
I don't know. It's been coming on a long time, I guess. I guess after Kilvinski retired and you decided to stay on and go on to vice, I guess that's what did it.
Yeah, but Dorothy, I'm, I hate this assignment, I'm not gonna be doing this forever.
It doesn't matter, Roy. It doesn't have anything to do with that. And it has nothing to do with you being a policeman anymore. And it's not because I'm a girl who doesn't like to be alone or because I worry ...
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Good little film, about the ins & outs of a group of cops in LA in the early 70's. Good eye for detail, and another fine performance by George C. Scott. This guy was on a roll back then. Having finished up the 60's w/ "Petulia", then "Patton", followed by the excellent gem "The Hospital", it was almost a couldn't miss. True to life depiction, bogged down just a bit by melodrama & cliche'-ridden script. Stacy Keach fine in this as well.
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