Death Walks at Midnight
IMDb RATING
6.3/10
1.6K
YOUR RATING
In the midst of a drug-fueled photo-shoot, a model witnesses a brutal murder in the apartment opposite hers. But when the authorities refuse to believe her, she is forced to assume the role ... Read allIn the midst of a drug-fueled photo-shoot, a model witnesses a brutal murder in the apartment opposite hers. But when the authorities refuse to believe her, she is forced to assume the role of amateur sleuth to unravel the mystery.In the midst of a drug-fueled photo-shoot, a model witnesses a brutal murder in the apartment opposite hers. But when the authorities refuse to believe her, she is forced to assume the role of amateur sleuth to unravel the mystery.
IMDb RATING
6.3/10
1.6K
YOUR RATING
- Director
- Writers
- Sergio Corbucci(story)
- Ernesto Gastaldi(screenplay)
- Mahnahén Velasco(screenplay)
- Stars
Top credits
- Director
- Writers
- Sergio Corbucci(story)
- Ernesto Gastaldi(screenplay)
- Mahnahén Velasco(screenplay)
- Stars
Manuel Muñiz
- The Porteras The Porter
- (as Pajarito)
- Director
- Writers
- Sergio Corbucci(story)
- Ernesto Gastaldi(screenplay)
- Mahnahén Velasco(screenplay)
- All cast & crew
- See more cast details at IMDbPro
Storyline
Valentina, a beautiful fashion model, takes an experimental drug as part of a scientific experiment. While influenced by the drug, Valentina has a vision of a young woman being brutally murdered with a viciously spiked glove. It turns out that a woman was killed in exactly the same way not long ago and soon Valentina finds herself stalked by the same killer... —Johan Melle
- Genres
- Certificate
- Not Rated
- Parents guide
Did you know
- TriviaJuan Torres is uncredited in the original Italian prints but gets an onscreen credit in the Spanish prints.
- GoofsCat is shown dead and it's obviously a fake cat.
- SoundtracksValentina (Controluce)
Performed by Mina
Top review
Something of a letdown
During an experiment with a hallucinogenic drug, model Valentina (Nieves Navarro aka Susan Scott) sees a woman being brutally murdered by a man wearing a spiked iron glove. But when no body is found, she can't seem to get anyone to believe her story. She begins to see the killer everywhere she goes. She's sure her life is in danger and is unable to convince her friends or the police that she's being stalked by a vicious murderer.
I had high hopes for Death Walks at Midnight having just seen and enjoyed Death Walks on High Heels. The two movies have so much in common that it seemed like a sure thing. While not being a sequel, the two movies share a director, a number of actors, and a convoluted plot. But while I found the twists and turns in Death Walks on High Heels a joy to watch unfold, Death Walks at Midnight is a little too convoluted for its own good. Story lines are introduced and almost dropped immediately with no resolution. These story tangents have nothing to do with the plot other than muddying the waters. Characters are introduced with no background information and almost immediately forgotten about. Too many of the characters never seem "real" or fleshed-out and are not effective red herrings. And, I almost get the feeling that much of the movie is weird for the sake of being weird. There's no real purpose for many of the unusual events, people, places, etc. in Death Walks at Midnight other than adding some bizarreness to the proceedings. For example, why even have the asylum scene? It adds nothing to the film. The problems with the plot are really disappointing because not only did I enjoy the first movie, but Death Walks at Midnight's screenplay was written by Sergio Corbucci. Corbucci directed some of my favorite Spaghetti Westerns. But here, he's written what I'll describe as a spastic script that tries too hard to be different.
That's not to say the movie was a total waste of time. There are a number of things I really enjoyed about Death Walks at Midnight. First would have to be Nieves Navarro. As I said when writing about Death Walk on High Heels, Navarro is excellent in this kind of film. She's a natural playing the "Woman in Distress". Navarro has a real, undeniable screen presence. Second would have to be the spiked glove. It's as nasty a murder weapon as you'll see. Finally, I like the overall look of the film. Ercoli had a real eye for some interesting visuals.
In the end, I can't wholeheartedly recommend Death Walks at Midnight to anyone other than a die hard Giallo fan. There are far better, more entertaining examples of the genre that might appeal more to the casual fan.
I had high hopes for Death Walks at Midnight having just seen and enjoyed Death Walks on High Heels. The two movies have so much in common that it seemed like a sure thing. While not being a sequel, the two movies share a director, a number of actors, and a convoluted plot. But while I found the twists and turns in Death Walks on High Heels a joy to watch unfold, Death Walks at Midnight is a little too convoluted for its own good. Story lines are introduced and almost dropped immediately with no resolution. These story tangents have nothing to do with the plot other than muddying the waters. Characters are introduced with no background information and almost immediately forgotten about. Too many of the characters never seem "real" or fleshed-out and are not effective red herrings. And, I almost get the feeling that much of the movie is weird for the sake of being weird. There's no real purpose for many of the unusual events, people, places, etc. in Death Walks at Midnight other than adding some bizarreness to the proceedings. For example, why even have the asylum scene? It adds nothing to the film. The problems with the plot are really disappointing because not only did I enjoy the first movie, but Death Walks at Midnight's screenplay was written by Sergio Corbucci. Corbucci directed some of my favorite Spaghetti Westerns. But here, he's written what I'll describe as a spastic script that tries too hard to be different.
That's not to say the movie was a total waste of time. There are a number of things I really enjoyed about Death Walks at Midnight. First would have to be Nieves Navarro. As I said when writing about Death Walk on High Heels, Navarro is excellent in this kind of film. She's a natural playing the "Woman in Distress". Navarro has a real, undeniable screen presence. Second would have to be the spiked glove. It's as nasty a murder weapon as you'll see. Finally, I like the overall look of the film. Ercoli had a real eye for some interesting visuals.
In the end, I can't wholeheartedly recommend Death Walks at Midnight to anyone other than a die hard Giallo fan. There are far better, more entertaining examples of the genre that might appeal more to the casual fan.
helpful•142
- bensonmum2
- Mar 8, 2006
Details
- Runtime
- 1h 42min
- Aspect ratio
- 2.35 : 1
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By what name was La morte accarezza a mezzanotte (1972) officially released in Canada in English?
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