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Il mio nome è Scopone e faccio sempre cappotto (1974)

Dallas tries to regain his father's farm which he lost in a card game with Kelly. But Kelly is now dead and his daughter, Glenda, doesn't know how to play poker. There are also rumors of a hidden treasure.

Director:

Juan Bosch

Writers:

Juan Bosch (screenplay), Juan Bosch (story) | 2 more credits »
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Cast

Cast overview, first billed only:
Anthony Steffen ... Dallas
Fernando Sancho ... Aguadulce
Gillian Hills ... Glenda Kelly
Ricardo Palacios ... Rompemanos
Sergio Doré Sergio Doré ... Brownville Sheriff (as Sergio Dore)
Attilio Severini Attilio Severini ... Curt
Gaspar 'Indio' González Gaspar 'Indio' González ... Logan (as Gaspar González)
Ricardo Moyán Ricardo Moyán ... Bart Bright
Juan Miguel Solano Juan Miguel Solano ... Bright Brother (as Juan M. Solano)
Juan Torres Juan Torres ... Maldonado Leader
Claudio Undari ... Doug Bright (as Robert Hundar)
Karin Heske
Ralph Birks Ralph Birks
Antonio Mayans
César Ojinaga César Ojinaga ... Reverendo
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Storyline

Dallas tries to regain his father's farm which he lost in a card game with Kelly. But Kelly is now dead and his daughter, Glenda, doesn't know how to play poker. There are also rumors of a hidden treasure.

Plot Summary | Add Synopsis

Genres:

Western

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Details

Country:

Italy | Spain

Language:

Spanish

Release Date:

5 June 1974 (Italy) See more »

Also Known As:

Ten Killers Came from Afar See more »

Filming Locations:

Barcelona, Catalonia, Spain See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
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User Reviews

 
A real time waster
4 June 2009 | by michaelwotrubaSee all my reviews

Dallas and his buddy Kelly compete for a ranch - which hides a gold mine - with the brothers Wright; the greedy "Rompimano" and his henchmen; and the legitimate owner: Glenda Kelly. A really big jumble of trivialities and common places, stuffed with unfunny humor and an electronic score - you would know where do Marcello Giombini ("Return of Sabata", 1971 by Gianfranco Parolini) got inspiration from - that is completely out of place. Directed at a soporific pace by an artisan usually less distracted like Juan Bosh ("And the Crows Will Dig You Grave", 1972) the picture just falls flat. What a pity! In theory the couple Anthony Steffen ("Lone and Angry Man", 1965 by Mario Caiano)and Fernando Sancho ("A Pistol for Ringo", 1965 by Duccio Tessari) was excellent; but to work it would have needed quite other screenplay and, mostly, quite other bite.


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