Dallas tries to regain his father's farm which he lost in a card game with Kelly. But Kelly is now dead and his daughter, Glenda, doesn't know how to play poker. There are also rumors of a hidden treasure.
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Title: Il mio nome è Scopone e faccio sempre cappotto (1974)
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Cast
| Cast overview, first billed only: | |||
| Anthony Steffen | ... | Dallas | |
| Fernando Sancho | ... | Aguadulce | |
| Gillian Hills | ... | Glenda Kelly | |
| Ricardo Palacios | ... | Rompemanos | |
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Sergio Doré | ... | Brownville Sheriff (as Sergio Dore) |
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Attilio Severini | ... | Curt |
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Gaspar 'Indio' González | ... | Logan (as Gaspar González) |
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Ricardo Moyán | ... | Bart Bright |
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Juan Miguel Solano | ... | Bright Brother (as Juan M. Solano) |
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Juan Torres | ... | Maldonado Leader |
| Robert Hundar | ... | Doug Bright | |
| Karin Heske | |||
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Ralph Birks | ||
| Antonio Mayans | |||
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César Ojinaga | ... | Reverendo |
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Storyline
Dallas tries to regain his father's farm which he lost in a card game with Kelly. But Kelly is now dead and his daughter, Glenda, doesn't know how to play poker. There are also rumors of a hidden treasure.
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WesternParents Guide:
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Release Date:
5 June 1974 (Italy) See more »Also Known As:
Ten Killers Came from Afar See more »Company Credits
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Dallas and his buddy Kelly compete for a ranch - which hides a gold mine - with the brothers Wright; the greedy "Rompimano" and his henchmen; and the legitimate owner: Glenda Kelly. A really big jumble of trivialities and common places, stuffed with unfunny humor and an electronic score - you would know where do Marcello Giombini ("Return of Sabata", 1971 by Gianfranco Parolini) got inspiration from - that is completely out of place. Directed at a soporific pace by an artisan usually less distracted like Juan Bosh ("And the Crows Will Dig You Grave", 1972) the picture just falls flat. What a pity! In theory the couple Anthony Steffen ("Lone and Angry Man", 1965 by Mario Caiano)and Fernando Sancho ("A Pistol for Ringo", 1965 by Duccio Tessari) was excellent; but to work it would have needed quite other screenplay and, mostly, quite other bite.