A total re-edit of Mario Bava's gothic classic Lisa and the Devil (1973) for US release in 1975. Cheesy exorcism scenes were shot to try to capitalize on the success of The Exorcist (1973).
In the 19th century, a sadistic nobleman terrorizes the members of his family. He is found dead, but his ghost soon returns to haunt the residents of his castle.
Following a bungled robbery, three violent criminals take a young woman, a middle-aged man, and a child hostage and force them to drive them outside Rome to help them make a clean escape.
Directors:
Mario Bava,
Lamberto Bava
Stars:
Lea Lander,
George Eastman,
Riccardo Cucciolla
Boris Karloff hosts a trio of horror stories concerning a stalked call girl, a patriarch who has become a vampire-like monster, and a nurse who is haunted by her ring's rightful owner.
Director:
Mario Bava
Stars:
Michèle Mercier,
Lidia Alfonsi,
Boris Karloff
Lisa is a tourist in an ancient city. When she gets lost, she finds an old mansion in which to shelter. Soon she is sucked into a vortex of deception, debauchery and evil presided over by housekeeper Leandre. Written by
Niz
The large four-post bed in Leandro's room was also used in two previous Bava films before this; first it appeared in the 'Telephone' segment of Bava's Black Sabbath (1963) and then again as Stephen Forsyth's bed in A Hatchet for the Honeymoon (1970). See more »
Quotes
Sophia Lehar:
I prefer ghosts to vampires, though. They're so much more human; they have a tradition to live up to. Somehow they manage to keep all the horror in without spilling any blood.
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Well I finally managed to get to see 'Lisa And The Devil' as Bava originally intended it, rather than the very dodgy 'House Of Exorcism' version I had previously seen, and the original is ten times better! Stripped of the tacked-on possession scenes and Robert Alda's priest role, the movie reveals itself to be a superior, atmospheric and stylish "nightmare on celluloid" movie. It reminded me a little bit of Jean Brismee's 'The Devil's Nightmare' in places, and at other times the work of Jean Rollin, without the overt eroticism. It's surreal touches and foreboding feel with probably appeal to fans of David Lynch or Herk Harvey's 'Carnival Of Souls' more than hardcore horror nuts. The cast are all good, but Telly Savalas gives a standout performance just on the right side of over the top, and Elke Sommer appears much more believable as the confused protagonist of this movie, rather than the unconvincing Linda Blair wanna-be of 'House Of Exorcism'. All in all one of Mario Bava's most original and interesting movies. Recommended.
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Well I finally managed to get to see 'Lisa And The Devil' as Bava originally intended it, rather than the very dodgy 'House Of Exorcism' version I had previously seen, and the original is ten times better! Stripped of the tacked-on possession scenes and Robert Alda's priest role, the movie reveals itself to be a superior, atmospheric and stylish "nightmare on celluloid" movie. It reminded me a little bit of Jean Brismee's 'The Devil's Nightmare' in places, and at other times the work of Jean Rollin, without the overt eroticism. It's surreal touches and foreboding feel with probably appeal to fans of David Lynch or Herk Harvey's 'Carnival Of Souls' more than hardcore horror nuts. The cast are all good, but Telly Savalas gives a standout performance just on the right side of over the top, and Elke Sommer appears much more believable as the confused protagonist of this movie, rather than the unconvincing Linda Blair wanna-be of 'House Of Exorcism'. All in all one of Mario Bava's most original and interesting movies. Recommended.