Lisa is a tourist in an ancient city. When she gets lost, she finds an old mansion in which to shelter. Soon she is sucked into a vortex of deception, debauchery and evil presided over by housekeeper Leandre. Written by
The large four-post bed in Leandro's room was also used in two previous Bava films before this; first it appeared in the 'Telephone' segment of Bava's Black Sabbath (1963) and then again as Stephen Forsyth's bed in A Hatchet for the Honeymoon (1970). See more »
I prefer ghosts to vampires, though. They're so much more human; they have a tradition to live up to. Somehow they manage to keep all the horror in without spilling any blood.
See more »
Oh, NOW I see what everyone's talking about! Avoid "Exorcism", go with "Lisa"!
Well I finally managed to get to see 'Lisa And The Devil' as Bava originally intended it, rather than the very dodgy 'House Of Exorcism' version I had previously seen, and the original is ten times better! Stripped of the tacked-on possession scenes and Robert Alda's priest role, the movie reveals itself to be a superior, atmospheric and stylish "nightmare on celluloid" movie. It reminded me a little bit of Jean Brismee's 'The Devil's Nightmare' in places, and at other times the work of Jean Rollin, without the overt eroticism. It's surreal touches and foreboding feel with probably appeal to fans of David Lynch or Herk Harvey's 'Carnival Of Souls' more than hardcore horror nuts. The cast are all good, but Telly Savalas gives a standout performance just on the right side of over the top, and Elke Sommer appears much more believable as the confused protagonist of this movie, rather than the unconvincing Linda Blair wanna-be of 'House Of Exorcism'. All in all one of Mario Bava's most original and interesting movies. Recommended.
31 of 38 people found this review helpful.
Was this review helpful to you?
| Report this