In this re-edit of Lisa and the Devil (1973), a troubled priest attempts to exorcise the soul of an American tourist who has been possessed by the Devil after witnessing supernatural events at a Spanish villa.
The murder of a wealthy countess, which was erroneously deemed suicide, triggers a chain reaction of brutal killings in the surrounding bay area, as several unscrupulous characters try to take over her large estate.
Lisa is a tourist in an ancient city. When she gets lost, she finds an old mansion in which to shelter. Soon she is sucked into a vortex of deception, debauchery and evil presided over by housekeeper Leandre.Written by
The scene where Leandro breaks the corpse's feet to stuff it into the coffin is a reference to the H.P. Lovecraft story "In the Vault". See more »
I prefer ghosts to vampires, though. They're so much more human; they have a tradition to live up to. Somehow they manage to keep all the horror in without spilling any blood.
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The 90-minute Spanish version has an extended, gorier version of Sylva Koscina's death scene. However, the two sex scenes are severely re-edited and significant part of the ending is cut out. See more »
i asked for "lisa and the devil" as a christmas present because I've always been a huge fan of dario argento, and it is common knowledge that he was in part inspired by the work of mario bava. i was not disappointed! like argento, bava has no concern for realism or complex character development and keeps it to the level of what it is, a horror film. it is hallucinatory, imaginative, intriguing, and also works as suspense, even if a little too campy for that genre. telly savalas does an excellent job as satan, and i loved how he enjoyed his trademark lollipop even during an italian horror film as though to say--"the devil loves ya, baby!" modern horror directors get everything wrong and make the mistake of thinking that meaningless action and excessive gore make an effective and memorable film, when nothing could be further from the truth. bava works with mystery and imagination, the two essential ingredients without which there can be no "horror" worthy of the name. of course, both the dialogue and behavior of the characters are ludicrous and laughably erratic, but you should come in expecting this from anyone who helped to inspire argento's film. "lisa and the devil" ranks up there with "suspiria" and "inferno", hands down. check it out.
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