Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and unpredictable notions Roy Bean distinguishes between lawbreakers and lawgivers by way of his pistols.Written by
Keith Loh <firstname.lastname@example.org>
Michael Sarrazin's name in the opening credits is listed as "participation". His "participation" in this movie amounts to appearing in a photograph at the end of the movie, portraying the husband of Rose Bean (Jacqueline Bisset). He does not physically appear in the movie. See more »
When Bean visits San Antonio to see Lilly Langtry several steel drums are visible in the alley behind the theatre that are of a design not available until the early 1930s. See more »
I would like to make amends.
Judge Roy Bean:
Amends? What you have done to these - gentle damsels. I accuse you, sir, of leadin' 'em down the Primrose Path - makin' 'em *slaves* to a passion in the dollar.
Black Haired Whore:
Red Head Whore:
For you, Judge - nothin'.
Judge Roy Bean:
Get those ladies down from that travelin' bordello and put 'em on the porch.
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British theatrical version was cut for an 'A' rating. See more »
The real-life Judge Roy Bean, the law west of the Pecos, was a legendary figure who pulled off numerous publicity stunts for "his" town of Langtry, meanwhile administering a little justice along the way. If you'ver ever watched Northern Exposure, a good comparison might be Barry Corbin's Maurice Minnifield. That being said, the real Judge Bean pales in comparison to the legend that has built up over the years. That legend is what Huston concerns himself with, and it serves him well. The film is very episodic in nature, and for the first half, it does not disappoint. Paul Newman's first scene, where he's beaten, left for dead, and returns to wreck vengeance on every last one of his attackers sets the tone for the rest of the film. This is high mythology, tall tales at their best; you get the impression that this is how we Texans really wish our history read--colorful, eclectic, ruthless at times, and occasionally downright bizarre. From beer drinking bears to albino bandits, it's certainly interesting.
That being said, the film definitely takes a melancholy tone as civilization comes to Langtry. With it comes the disdain for such colorful characters as Bean, who seemingly has no place in the new, modern world. It's sad, but makes for an especially poignant ending. Newman's Judge is a blustering wonder; other standouts include Anthony Perkins, Ned Beatty, Roddy McDowell, and a very young and fetching Victoria Principal. Also making cameos are Jacqueline Bissett, Stacy Keach, Ava Gardner, and even the director himself.
All in all, a funny, touching film.
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