Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and unpredictable notions Roy Bean distinguishes between lawbreakers and lawgivers by way of his pistols.Written by
Keith Loh <firstname.lastname@example.org>
John Milius said that John Huston "would explain what he was doing to me all the time. We had a strange relationship. He tortured me constantly, changing things and doing scenes, I thought, deliberately wrong. At the same time, he would explain his options and why he made the decision he made, right or wrong; or the different ways he could have done it. I watched the way an atmosphere was created on the set, watched the way he would respond to an actor resisting him and the way he dealt with an actor going along with him too easily. How he would deal with bad actors. I remember one time when he had someone he said was the worst he'd ever had, and I asked him, what do you do? And he said, "Not a damn thing, I have no idea." He just went back to his trailer." See more »
When Bean visits San Antonio to see Lilly Langtry several steel drums are visible in the alley behind the theatre that are of a design not available until the early 1930s. See more »
A unique and successful mythic treatment of a quintessental American folk-hero.
Unlike other comedic Western films of this era, John Huston's THE LIFE AND TIMES OF JUDGE ROY BEAN is based on a singular premise: that God Almighty has decided to judge men on this earth through Roy Bean, a petty outlaw and drifter. Early in the film Anthony Perkins (as the circuit riding Methodist minister the Reverdend LaSalle)recites the salient portion of Psalm 58 at an impromptu funeral he is presiding over for the deceased frontier scum that tried to kill and rob the solitary Roy Bean, (to their catastrophic destruction by Bean himself) Thia will remain the recurring theme and leitmotiv that will dominate and justify the startling and unlikely quest of Judge Roy Bean, petty criminal turned self appointed judge of Vinagaroon county Texas.
Despite the extreme rusticity of Bean's surrounding and beginnings, his quixotic position of dispenser of justice steadily grows and grows until Bean has become the most respected and influential man in that extreme outpost of civization.His position takes on a unmistakable sort of grandeur, as does his chivalrous obsession with Lily Langtry, which in the end has flowered into perhaps the last shout of true chivalry in the ancient European sense. When the corrupting forces of the encroaching outside world seem to have completely swallowed up Bean's life's work, the judge, who has been 'down the pike/' for twenty years, unexpectedly returns for a true DIES IRAE, a reckoning. The final scenes with Ava Gardner as Lily Langtry, visiting the tiny remaining outpost and museum which bear her name delivers a ending moment of surprisingly fine sentiment. I LOVED this picture, with the exception of the idiotic song that was inserted into the middle of this soaring myth (probably insisted upon by investors who thought an original song, no matter how dismal would increase the projected box office to the level of BUTCH CASSIDY AND THE SUNDANCE KID.
16 of 20 people found this review helpful.
Was this review helpful to you?
| Report this