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The Last House on the Left

  • 19721972
  • RR
  • 1h 24m
IMDb RATING
5.9/10
38K
YOUR RATING
POPULARITY
3,577
311
Sandra Peabody and Lucy Grantham in The Last House on the Left (1972)
Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychotic convicts.
Play trailer2:07
1 Video
99+ Photos
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Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychopathic convicts.Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychopathic convicts.Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychopathic convicts.
IMDb RATING
5.9/10
38K
YOUR RATING
POPULARITY
3,577
311
  • Director
    • Wes Craven
  • Writers
    • Wes Craven
    • Ulla Isaksson(earlier screenplay)
  • Stars
    • Sandra Peabody
    • Lucy Grantham
    • David Hess
  • Director
    • Wes Craven
  • Writers
    • Wes Craven
    • Ulla Isaksson(earlier screenplay)
  • Stars
    • Sandra Peabody
    • Lucy Grantham
    • David Hess
  • See production, box office & company info
    • 530User reviews
    • 210Critic reviews
    • 68Metascore
  • See more at IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:07
    Watch Official Trailer

    Photos185

    Sandra Peabody, Fred J. Lincoln, and Jeramie Rain in The Last House on the Left (1972)
    Cynthia Carr and Richard Towers in The Last House on the Left (1972)
    Cynthia Carr, David Hess, Fred J. Lincoln, Jeramie Rain, and Richard Towers in The Last House on the Left (1972)
    David Hess, Jeramie Rain, and Marc Sheffler in The Last House on the Left (1972)
    Lucy Grantham and Jeramie Rain in The Last House on the Left (1972)
    The Last House on the Left (1972)
    Sandra Peabody and David Hess in The Last House on the Left (1972)
    The Last House on the Left (1972)
    Lucy Grantham and Jeramie Rain in The Last House on the Left (1972)
    The Last House on the Left (1972)
    Ray Edwards in The Last House on the Left (1972)
    Marshall Anker and Martin Kove in The Last House on the Left (1972)

    Top cast

    Edit
    Sandra Peabody
    Sandra Peabody
    • Mari Collingwood
    • (as Sandra Cassell)
    Lucy Grantham
    Lucy Grantham
    • Phyllis Stone
    David Hess
    David Hess
    • Krug Stillo
    • (as David A. Hess)
    Fred J. Lincoln
    Fred J. Lincoln
    • Fred 'Weasel' Podowski
    • (as Fred Lincoln)
    Jeramie Rain
    Jeramie Rain
    • Sadie
    Marc Sheffler
    Marc Sheffler
    • Junior Stillo
    Richard Towers
    Richard Towers
    • Dr. John Collingwood
    • (as Gaylord St. James)
    Cynthia Carr
    Cynthia Carr
    • Estelle Collingwood
    Ada Washington
    • Ada
    Marshall Anker
    • Sheriff
    Martin Kove
    Martin Kove
    • Deputy
    Ray Edwards
    • Postman
    Jonathan Craven
    • Boy with Balloon
    • (uncredited)
    Anthony J. Forcelli
    • Ice Cream Store Clerk
    • (uncredited)
    Steve Miner
    Steve Miner
    • Hippie Taunting Deputy
    • (uncredited)
    • Director
      • Wes Craven
    • Writers
      • Wes Craven
      • Ulla Isaksson(earlier screenplay) (uncredited)
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      When fledgling director Wes Craven took this film to the MPAA, they slapped it with an "X" rating. Wanting an R rating, for wider release, Craven went back and removed several minutes of footage. However, this still wasn't enough and the film still got an "X" rating. Once again Craven removed footage, but that still wasn't enough. Finally, Craven put all of the original footage back in, got an authentic "RATED R" seal of approval from the film board from a friend of his, who put the rating on the film, and released it.
    • Goofs
      Mari breathes and moves when her parents find her body (the original intention was that she should still be alive at this point and would identify her attackers before dying).
    • Quotes

      Estelle Collingwood: Mari tells me you're from Manhattan. What does your father do?

      Phyllis Stone: Oh, my parents are in the iron and steal business.

      Estelle Collingwood: Iron and steel both together? How unusual.

      Phyllis Stone: Well, my mother irons and my father steals.

    • Alternate versions
      The 1982 British release on the Replay video label omitted the scene where the sheriff and the deputy try to hitch a ride on Ada's chicken wagon, and the end credits were missing - though the now familiar 'freeze frames' of the principal actors appear, no credits are superimposed over them, and the final song continues to play over a completely black screen. In terms of gore and violence, the print Replay used was uncut.
    • Connections
      Edited into The Evolution of Snuff (1977)
    • Soundtracks
      The Road Leads to Nowhere
      Lyrics and Music by Steve Chapin & David Hess

      Performed by David Hess

    User reviews530

    Review
    Review
    Featured review
    9/10
    Without a doubt, the most disturbing film I have ever seen
    I have seen some films literally dozens of times. They will remain nameless, but they are there. Some of those films are pure entertainment and have left an obvious mark on me. I have seen Last House on the Left four times. And there is no film that has left more of an impression on me than this film. It is a visceral experience and one that will never leave your subconscious, and that goes for anyone who has seen the film. There are images here that are about as primal as you can go without feeling like you are in a Neanderthal like state. Wes Craven has tapped into something that few if any have ever been able to duplicate. There have been imitations as recently as the summer of 2005 when Chaos tried to usurp LAST HOUSE as the most disturbing film ever made, but make no mistake about it. This is the one and only. This film still has an adverse affect on me. The only reason I rented this film back in 1992 was because I was convinced that ( along with Jaws and Halloween ) Nightmare on Elm Street was the one of the scariest movies I had ever seen. And when I found out that Wes Craven had an earlier film to his credit, I had to see it. What happened in the next 90 minutes can only be described as an assault on my senses. Everything that was good in life no longer existed and the fun and happy horror films like Friday the 13th were exposed as the charlatans that they were. It's not to say that they weren't fun films but they were not true horror films, the way a Steven Seagal film about war is a quack compared to something ominous like Apocalypse Now. I felt a plethora of emotions ranging from feeling sick, to shame, fear and trauma. I was so unabashedly disturbed after the film that a three hour, head clearing drive in the country was needed to calm my nerves. That is no exaggeration.

    The story centers around two carefree you women who are going to a concert in the city. They are looking to score some weed and they meet Junior, who promises them some and he takes them to meet the rest of the gang. What ensues over the next 45 minutes is nothing short of the dehumanization of the two girls. They are forced to beat each other, touch each other and then they are raped and murdered horrifically. There is not much more to say if you do not want to ruin it for those that haven't seen it yet.

    Was this a good film? Yes. Did I enjoy it? Absolutely not. It left me exhausted depressed and it drained me to the point that I thought I would break down and cry. For a horror movie to do that to me is quite astonishing. I have seen most of Fulci's gorefests but every time you see some guy with a drill through his head, you can dismiss is a schlock. You know it's fake. But not with this film. It imbues a realism to it that just makes you feel like you are watching someone's snuff film. It is that macabre and it feels that real. There is nothing else like it.

    I remember reading a review of Aliens by Roger Ebert and he said that the film was a work of art and he gave it high marks but the film was so much of a play on his emotions that he did not enjoy it. He was terrified more than he had been before. That is how I feel about this film. It is masterfully made, but it is a tough film to watch. Even after writing this review I am going to have a hard time getting the images out of my head. So my advice to you is if you are going to watch this film, proceed with caution. The subject matter in this film makes 8MM look like Anne of Green Gables.

    This is the first time the tagline has read so true. Just keep repeating to yourself that it is only a movie, it is only a movie......
    helpful•190
    85
    • baumer
    • Jun 26, 1999

    FAQ5

    • Why isn't the forced lesbian scenes in any release?
    • What are the differences between the old British BBFC 18 DVD and the uncut Unrated Version?
    • Is it true that an alternate cut was released on VHS?

    Details

    Edit
    • Release date
      • August 30, 1972 (United States)
    • Country of origin
      • United States
    • Official site
      • MGM
    • Language
      • English
    • Also known as
      • Last House on the Left
    • Filming locations
      • New York City, New York, USA(buying grass scene)
    • Production companies
      • Sean S. Cunningham Films
      • The Night Co.
      • Lobster Enterprises
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $90,000 (estimated)
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 24 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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