7.1/10
3,372
44 user 22 critic

Lady Sings the Blues (1972)

The story of the troubled life and career of the legendary Jazz singer, Billie Holiday.

Director:

Sidney J. Furie

Writers:

Chris Clark (screenplay), Suzanne De Passe (screenplay) (as Suzanne de Passe) | 3 more credits »
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Nominated for 5 Oscars. Another 5 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Diana Ross ... Billie Holiday
Billy Dee Williams ... Louis McKay
Richard Pryor ... Piano Man
James T. Callahan ... Reg Hanley (as James Callahan)
Paul Hampton ... Harry
Sid Melton ... Jerry
Virginia Capers ... Mama Holiday
Yvonne Fair Yvonne Fair ... Yvonne
Isabel Sanford ... The Madame
Tracee Lyles Tracee Lyles ... The Prostitute
Ned Glass ... The Agent
Milton Selzer ... The Doctor
Norman Bartold ... The Detective #1
Clay Tanner Clay Tanner ... The Detective #2
Jester Hairston ... The Butler
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Storyline

Born Elinore Harris, Billie Holiday had a difficult teen and young adulthood period, which included working in brothels, both as a cleaning woman and a prostitute, and being raped. Through this difficulty, she dreamed of becoming a jazz singer. She got her initial singing break when she applied at a Harlem club that was looking for a dancer, but where she got hired as a singer. There, she met and fell in love with the suave Louis McKay. After this initial break, Billie wanted her singing career to move to the mainstream clubs in downtown Manhattan. She took a risk when she agreed to be the lead singer for the Reg Hanley Band, a primarily white group, who convinced her that she would have to make her mark in regional tours before her Manhattan dream could happen. As Billie tried to advance her career, pressures of life, including being a black woman, led to her not so secret substance abuse (especially of heroin), not so secret because of her increasingly erratic behavior, both on ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Diana Ross IS Billie Holiday See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

12 October 1972 (USA) See more »

Also Known As:

El ocaso de una estrella See more »

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Box Office

Gross USA:

$9,600,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

When the film was first suggested in the late 1960s, Abbey Lincoln was the initial casting for the role of Billie Holiday, with Diana Sands as second choice. The project was revived a few years later with Diahann Carroll as a suggested lead, but after discussions between Jay Weston and Director Sidney J. Furie, the role was offered to Diana Ross. See more »

Quotes

Billie Holiday: How do you like your eggs?
See more »

Connections

Featured in Life of Pryor: The Richard Pryor Story (2006) See more »

Soundtracks

Tain't Nobody's Business
Written by Porter Grainger and Everett Robbins
Sung by Blinky (as Blinky Williams)
See more »

Frequently Asked Questions

See more »

User Reviews

 
The movie was unfortunately not as good as Diana Ross.
27 May 2009 | by eddaxSee all my reviews

The first question that would run across the mind of anyone who'd watch this movie is: "Can Diana Ross act?" The answer, I'm glad to say, is an unequivocal "Yes." And I think that's what the director wanted to clear up right from the very first scene, with a flash forward to Billie Holiday's drug bust while the credits were still on. Ms. Ross, devoid of make-up and with "crazy hair," put on an extremely convincing performance of heroin (or coke) withdrawal, replete with howling.

Her performance is the highlight of the movie, which unfortunately felt like it ran way too long, and I found myself constantly checking the run time. It wasn't bad as a musical. As I had read previously, Ms. Ross didn't seek to imitate Billie Holiday's style, and instead created a distinct and appropriate - yet similar - jazz style of her own just for the movie (check out "Good Morning Heartache"), and I, being a fan, didn't mind the song interludes.

What dragged the movie was the constant focus on Holiday's drug addiction (to showcase more of Ms. Ross's acting?). It felt like there was scene after scene of her being drug-addled, whining, and screaming, which began to abrade after a while. It's too bad, since with better direction and screenplay, coupled with Ms. Ross's capable acting and singing, this could've been one of the truly great musical biopics.


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