The King of Marvin Gardens (1972)

A daydreamer convinces his radio personality brother to help fund one of his get-rich-quick schemes.

Director:

Bob Rafelson

Writers:

Jacob Brackman (screenplay), Bob Rafelson (story)

Stars:

Jack Nicholson, Bruce Dern, Ellen Burstyn

Cast

Cast overview, first billed only:
Jack Nicholson	...	David Staebler
Bruce Dern	...	Jason Staebler
Ellen Burstyn	...	Sally
Julia Anne Robinson	...	Jessica
Scatman Crothers	...	Lewis (as Benjamin 'Scatman' Crothers)
Charles LaVine	...	Grandfather
Arnold Williams	...	Rosko
John P. Ryan	...	Surtees (as John Ryan)
Sully Boyar	...	Lebowitz
Josh Mostel	...	Frank
William Pabst	...	Bidlack
Garry Goodrow	...	Nervous Man (as Gary Goodrow)
Imogene Bliss	...	Magda
Ann Thomas	...	Bambi
Tom Overton	...	Spot Operator

Storyline

'It's Monopoly out there'. Jason Staebler, The King of Marvin Gardens, has gone directly to jail, lives on the Boardwalk and fronts for the local mob in Atlantic City. He is also a dreamer who asks his brother, David, a radio personality from Philadelphia to help him build a paradise on a Pacific Island - asking him to believe in yet another of his dreams, yet another of his get-rich-quick schemes. But luck is against them both and the game ends badly - real life reduced to radio drama.

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Plot Keywords:

watching tv | jail | radio | hotel | hawaii | 

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Genres:

Drama

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Certificate:

R

Details

Country:

USA

Language:

English Japanese

Release Date:

26 April 1973 (France)

Also Known As:

The Philosopher King

Filming Locations:

Atlantic City, New Jersey, USA

Company Credits

Production Co:

BBS Productions,Columbia Pictures Corporation

Technical Specs

Runtime:

103 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Original title: "The Philosopher King".

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Goofs

David listens to tape recording he made but during close-up of tape recorder, none of the buttons that would allow it to play are depressed.

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Quotes

[first lines]
David Staebler: I promised that I would tell you... why I never eat fish. When we all moved into my grandfather's house... it somehow fell to me to keep the old man's mind off of things. We would play casino over an old card table. He never let me win. One time he put one of those tiny model trains... into my hamburger. He was a practical joker. I broke my tooth on it. On Friday evenings we had fish at our house. Every Friday. Not on religious grounds, but because... Grandpa was a fish enthusiast....
[...]

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Crazy Credits

The Columbia Pictures logo does not appear on this film.

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Connections

Featured in A Decade Under the Influence (2003)

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Soundtracks

I Could Have Danced All Night
(uncredited)
Music by Frederick Loewe

User Reviews

An unusual vision of American pessimism

It's hard to imagine Jack Nicholson appearing in a film like 'The King of Marvin Gardens' today. The movie is a story of an introverted broadcaster and his hustling brother; there's an air of seediness to the portrait of a run-down, early 1970s, east-coast America; of doomed hopelessness about the the huckster's implausible vision; and of a terrific sadness in the way that the broadcaster finds a touch of glamour and excitement in hanging out with his brother for a while, although the two of them have nothing in common and surely nothing is actually going to turn out right. I've heard it said that Saul Bellow's 'The Adventures of Augie March' is the great American novel because of its optimism; but this is another side of America, post-Vietnam war, a world of fraudsters, impossible dreamers, and those just hunkering down to survive. As a film, and certainly as entertainment, it's weaker than Nicholson and director Bob Rafelson's earlier 'Five Easy Pieces', primarily because Nicholson's character here is fundamentally less interesting: it's a correctly restrained performance from Jack, but playing a man who has little capacity for change, and constrained by a story that's low-key painful, rather than exciting. Yet even if this is not a fun movie, it's a telling one. Pessimism, like optimism, remains part of the American landscape, as it is in every country; but it's a shame that it's been written out of the contemporary Hollywood vision.