Legendary martial artist Bruce Lee is the subject of this thoughtful documentary by Lee aficionado John Little. Using interviews, behind-the-scenes footage and action sequences from Lee's ... See full summary »
Wong Fei-Hung (Jackie Chan) is a mischievous, yet righteous young man, but after a series of incidents, his frustrated father has him disciplined by Beggar So (Siu Tin Yuen), a Master of drunken martial arts.
Returning to Shanghai to marry his fiancée, Chen Zhen (Bruce Lee) a student of renowned martial arts teacher Huo Yuanjia, discovers his sifu has died. During the funeral, members of a local Japanese dojo show up and insult the Chinese students. The bullying continues, with Chen fighting back, but when he discovers the truth - that his teacher was poisoned on the orders of the dojo's master - he sets off on a doomed mission of revenge.Written by
To impress the students of the Japanese school, Petrov drives 7 long nails clear through a thick wooden plank with his bare hands. But when he raises the plank to display his handy work, only 4 nails are protruding from the bottom. See more »
[Chen comes home to find his teacher being buried]
[he goes berserk, trying to claw at the ground, and has to be restrained by his friends]
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For its original 1972 UK cinema release the BBFC requested a cut to remove a shot of a flying throat kick, though it appeared intact in all early theatrical prints and was possibly waived before release. In 1978 the film was withdrawn by BBFC director James Ferman (together with Enter the Dragon) and all nunchaku footage removed together with the previously mentioned throat kick, and these cuts, (totalling 2 mins 51 secs) would persist in all of the film's UK video releases. The cuts were fully restored for the 2001 Hong Kong Legends release. See more »
Film maker Lo Wei directed this Bruce Lee classic Fist of Fury immediately after the success of Lee's first martial art film, The Big Boss. Fist of Fury tells the story of Chen (Lee) who arrives in Shanghai to his martial art school, only to learn that his beloved teacher has died and the funeral is going on when he arrives. Soon it is revealed that the death was without a doubt a murder and our fierce hero is going to solve the mystery..With the power of his fists and kicks.
This film is prehaps little too racist towards Japanese since they are depicted as dirty and greedy criminals here and some lines in the script are very underlining and judge the Japanese people too much. Then again, the film makes me wonder about racism in general since there is so much mayhem in the film and so many Chinese and Japanese get killed by each other, so maybe this film was not meant to be racist at all. Maybe the intention was to tell something about us who cannot live in peace with each other. All these things happen even today, 30 years after the film's release so the subject matter is definitely universal as it was back then in 1972. Still I would have toned down some of the dialogue bits since they are little too strong, and I think Bruce Lee himself didn't like the film's racial elements.
On the other hand, this film is really beautiful as it depicts the sensitive love between Bruce and Nora Miao, who is very beautiful and sweet female in this film, and also in other Lee's films. The scene at the teacher's grave is one of the most sensitive scenes of love I've ever seen, and those two characters are hand touchingly full of emotion. The themes in this film are mainly about relationships between individuals and humans in general, so the film has many things to offer moreover mere action. This is action classic with heart.
The film is famous for its legendary first nunchaku fight scene at the Japanese' training camp as Bruce shows for the first time his personal fighting tool and weapon, a pair of nunchakus. That fight scene even before nunchakus is among the greatest ever filmed since the choreography and timing is totally marvellous as the one take lasts very long without edits, and Bruce kicks and hits about ten victims during that, and the timing and stunt men had to be really sharp in order to not to get hurt for real. Also, the nunchaku fights in the film are incredible as Bruce uses his weapon without flinching an eye and with fierce look on his face. This all is even more powerful in his next film, Way of the Dragon.
The film was shot mostly in studio and there are only few exteriors in Fist of Fury. The staging is very convincing and the film's bigger budget compared to that of The Big Boss' really shows. The last fight in night time at the Japanese yard is very beautifully lighted and full of cinematic magic. The film is full of details and elements from Chinese culture and traditions, so this is little more personal and interesting film than The Big Boss, which had some irritating little flaws like the sound of Bruce' necklace he got from his mother and the scene where Bruce punches a guy through a wall with funny and campy result, which director Lo definitely didn't meant to look that funny.
Fist of Fury is a stunning piece of Hong Kong and world cinema and easily among Lee's greatest films. The atmosphere is created so convincingly that even people who usually don't appreciate action films should appreciate this, since this film is many more things than just action and fighting. Fist of Fury hasn't lost any of its power and punch during these 30 years and will remain one of the most important martial arts movies ever made. 9/10
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