Legendary martial artist Bruce Lee is the subject of this thoughtful documentary by Lee aficionado John Little. Using interviews, behind-the-scenes footage and action sequences from Lee's ... See full summary »
Wong Fei-Hung (Jackie Chan) is a mischievous, yet righteous young man, but after a series of incidents, his frustrated father has him disciplined by Beggar So (Siu Tin Yuen), a Master of drunken martial arts.
Returning to Shanghai to marry his fiancée, Chen Zhen (Bruce Lee) a student of renowned martial arts teacher Huo Yuanjia, discovers his sifu has died. During the funeral, members of a local Japanese dojo show up and insult the Chinese students. The bullying continues, with Chen fighting back, but when he discovers the truth - that his teacher was poisoned on the orders of the dojo's master - he sets off on a doomed mission of revenge.Written by
As well as doing stunts for this movie, Jackie Chan has a small role as one of the Chinese students who are attacked by the Japanese. See more »
Approx. one hour into the film, there is a scene where a phonograph player is playing. Record players of that type were not invented until near the end of the 19th Century. See more »
Eat. This time you're eating paper. The next time it's going to be glass.
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For its original 1972 UK cinema release the BBFC requested a cut to remove a shot of a flying throat kick, though it appeared intact in all early theatrical prints and was possibly waived before release. In 1978 the film was withdrawn by BBFC director James Ferman (together with Enter the Dragon) and all nunchaku footage removed together with the previously mentioned throat kick, and these cuts, (totalling 2 mins 51 secs) would persist in all of the film's UK video releases. The cuts were fully restored for the 2001 Hong Kong Legends release. See more »
Undoubtedly Lee's most intense performance, Wei's powerful kung fu classic is ripe with anti-Japanese hysteria and propaganda, so much so that there's not a single pleasant Jap' in the movie (unlike the up-to-date modern re-make). That aside, essentially this is a riotous Bruce Lee vehicle, kicking out trademarks and smashing up all evil in the process. The plot (Lee's sifu poisoned by Japanese school in turn-of-the-century Shanghai) is a valid excuse to string a great line-up of fight sequences together, and what great action this is: Bruce pounds the lights out of a dojo full of evil Japs using only fists, feet and nunchakus, and the duel with Baker (Lee's real-life personal bodyguard) near the movie's end is sheer entertainment typified. Though based on factual events, the subject matter is vastly exaggerated. Nevertheless, as kung fu theatre goes, Fist of Fury is an immensely satisfying experience, and stands as probably Lee's best Hong Kong work.
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