A biplane pilot who had missed flying in WWI takes up barnstorming and later a movie career in his quest for the glory he had missed, eventually getting a chance to prove himself in a film ... See full summary »
In 1909, when young Paiute Indian Willie Boy returns to his California reservation to be with Lola, whose father disapproves of him, a killing in self defense takes place, triggering a massive man hunt for Willie.
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier.
Dr. Amusa approaches Dortmunder about a valuable gem in a museum that is of great signifigance to his people in Africa, stolen during colonial times. Dortmunder assembles a crack team of cat burglars and hatches an elaborate plan for stealing the gem. Despite their care and experience, circumstances and plain bad luck keep the gem just out of their reach.Written by
Murray Chapman <email@example.com>
The police uniforms in the movie were two tone, light powder blue shirt and dark navy blue pants. The powder blue shirt wasn't introduced in New York City police uniforms until 1973, the year after this movie. See more »
[Persuading Murch against thinking about double-crossing Amusa]
Uh, one little problem is that Amusa knows who me and Dortmunder are. And since this stone is this big symbolic thing, I'm not all that anxious to have an entire African nation after my ass, if you don't mind. Blowguns and poison arrows, no thanks.
I think they're a little more modern now, Andrew.
Is that supposed to make me feel better, tommy guns and airplanes?
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The 20th Century Fox logo is erased away via a "snake effect". See more »
There is always a risk with these 'period' pieces that it will become dated very easily with changing tastes & expectations. Fortunately, caper movies are still getting made ('Entrapment'), Redford is still a sex-symbol, & crime still pays. So 'Hot Rock' is as eminently watchable today as it was way back then, provided of course you don't start wondering too much about the plot. Ride Quincy Jones' music (Gerry Mulligan plays the sax) & Redford's easy charm & you are safe home.
The performances all round are very muted, except the wonderful Zero Mostel's over-the-top crooked lawyer. At times you feel everybody is just too reluctant to get on with it, but I guess that is the kind of 'cool seventies' effect that director Yates was trying to get (& I feel, succeeded). Anyway Yates was riding high at this time with some great movies like Bullitt & Murphy's War & his confidence shows.
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