Grave of the Vampire

This film begins with a young couple by the names of "Paul" (Jay Scott) and "Leslie Hollander" (Kitty Vallacher) taking a stroll in a graveyard when they are attacked by a vampire known as "Caleb Croft" (Michael Pataki). Within minutes Croft kills Paul and then turns his attention to Leslie who he then rapes and subsequently departs as the sun is about to rise. Although Leslie is clearly traumatized, when she is informed that she is pregnant she refuses to have an abortion and nine months later gives birth to a male child. Needless to say, this is no ordinary baby as Leslie soon realizes that it needs blood to sustain itself. At any rate, as the years go by eventually Leslie's son "James Eastman" (William Smith) leaves home with one goal in mind-to find and kill the vampire who raped his mother. Now rather than reveal any more I will just say that this was an interesting film which deviated somewhat from the standard vampire traditions in that it displayed a bit more viciousness than most movies of this kind. That being said, while it wasn't a great film by any means, it was good enough for the time spent and for that reason I have rated it accordingly. Average.

In the 1930's, notorious rapist and murder Caleb Croft (Michael Pataki) assaults a woman, resulting in her giving birth to a baby named James. 30 years later, James (William Smith) wants to avenge his mother. Oh, and Caleb is also a vampire.

"Grave of the Vampire" is James ("Dream No Evil", "Garden of the Dead") Bryan's best movie. A low budget affair (well of course), "Grave" is a mostly Grim affair, with an interesting spin on the vampire mythos. Here, we see Vampirism as a curse, which is nothing new, yet except for "Blade", this is the only movies I've seen take advantage of the idea of a child with a human mother and Vampire mother. Also, this is Pre-Anne Rice, so no boring angst. While the dialog isn't Oscar caliber, lines like "Wow, Professor, you make a groovy medium!" should bring a smile to your face.

That's not to say that there aren't any flaws. For one thing, the acting is for the large part pretty wooden and uninteresting, with only Pataki making any real impression. Also, the ending is a rather lame "The End...Or Is It?" style conclusion, which makes you glad there was no "Grave of the Vampire 2."

Still, it's an enjoyable, original little Drive In/Grindhouse horror movie that, while flawed, is worth a look nonetheless.

A vampire called Caleb Croft rather inexplicably rises from his tomb several years after being presumed dead (perhaps they can lay dormant) and attacks a courting couple, raping the girl who then gets pregnant and gives birth to his son. Move on a couple of decades to the groovy early 1970's and the son, who feeds on blood from raw meat - he is some kind of "good" part-vampire - hunts down his father with the intention of driving a stake into his heart. This came out around the same time as the Count Yorga and Blacula movies, Croft is not as good as either of them in the vampire stakes (no pun intended!), but he is very callous and cruel none the less. There are are some decent, atmospheric scenes, such as the foggy cemetery at the start, plus a corpse in the shower with a slashed throat, later seen in any number of slasher movies. However the middle section of the film is pretty slow and dull, it sadly drags it down. The print used for the British DVD was quite appalling, so this did not help. Worth a watch but the name Caleb Croft won't remain in my movie memory for long.

A couple are making out in a graveyard. For some reason a vampire awakens. He kills the man and rapes the woman (in an open grave no less). She gets pregnant, has the baby--but the baby will only drink blood! She provides her own and eventually dies. The boy grows up and vows to find his father and kill him for what he did to his mother. They do meet and things go out of control.

OK--you have to ignore logic with this one. At one point a policeman knows it's a vampire who raped the woman and who he is--but how? And a vampire is teaching night school (!!!). And WHY would a vampire rape a woman to begin with? Technically--he's already dead! Push those aside and you can actually enjoy this.

The film has a very downbeat, somber tone--as it should. No jokes or winking at the camera. Michael Pataki is very good (and scary) as the vampire father. William Smith has a few good moments as his son. The rest of the acting is just terrible. Still this movie works. It's well-directed, has an eerie music score by Jaime Mendoza-Nava and some really creepy sequences (the one near the beginning where a woman discovers a vampire in her basement made me jump). A pretty unknown little horror film that's worth seeking out. I give it a 7.

I wish I could be ALL praising about this odd, unknown horror gem and, for a good 30 minutes, it did look like "Grave of the Vampire" would become a totally unexpected pleasant surprise. Although terribly cheap looking, the opening sequences are very atmospheric and frightening. The substance, too, seems to be original and a totally new take on the classic theme of vampirism. The films opens at a spooky and very ancient cemetery, where an undead dude crawls out of his tomb and assaults a young couple that are making out in their car. The girl is raped, but she survives, and nine months later she gives birth to a baby that drinks blood instead of breast milk (illustrated by one of the coolest horror-sequences in horror history!). The boy grows up an outcast and wreaks revenge on his vampire-father that still walks around in disguise. This downright sublime and eventful introduction blew me away and it really looked like I had come across a true hidden horror-gem of the 70's. The setting is scary, the idea innovating, murders are gruesome…I couldn't wait to see what happened next. Unfortunately however, this is where the ingeniousness stopped, and the remaining hour turned out another dull and ordinary vampire flick. The half-man / half-vampire being discovers that his "father" is now a history teacher (!) and plots to kill him for good. There are still a couple of bizarre plot twists, but they're overly stupid and far from believable. Also, because the originality has vanished, you begin to focus more on the dreadful aspects, like the lousy acting, the monotonous camera-work and the cheap set pieces. Near the end, it's hard to believe that this movie started out so promising and you regret not having pressed the stop-button while it was still good.