When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
When the aging head of a famous crime family decides to transfer his position to one of his subalterns, a series of unfortunate events start happening to the family, and a war begins between all the well-known families leading to insolence, deportation, murder and revenge, and ends with the favorable successor being finally chosen.Written by
J. S. Golden
Mario Puzo modelled the character of Don Vito Corleone on New York City mob bosses Joe Profaci and Vito Genovese. Many of the events in his novel are based on actual incidents that occurred in the lives of Profaci, Genovese, and their families. Puzo based Don Vito's personality on his own mother's. See more »
The accordion played in the wedding scene was an "Excelsior" model that was not manufactured until the 1950s. The same goes for the "prop" accordion seen in the shoot-out, where the accordion is on a chair with the bellows open. The older accordions did not have the same features. See more »
I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a "boy friend," not an Italian. She went to the movies with him. She stayed out late. I didn't protest. Two months ago he took her for a drive, with another boy friend. They made her drink whiskey and then they tried to take advantage of her. She resisted. She kept her honor. So they beat her. Like an animal...
[...] See more »
In the Blu-Ray version, the 2002 Paramount logo is used and tinted in sepia. See more »
Following Bonasera's exit in the first scene, Vito whistles at Sonny for not paying attention to business.
During the wedding reception, Tom Hagen informs Don Vito that consigliere Genco won't last the night in the hospital.
After the wedding, the Don and his sons are leaving the compound with Johnny Fontane to visit Genco. Vito asks Michael if Kay was able to get home all right.
In the hospital, the Don looks at Michael's military decorations with disdain then tells Michael that he has plans for him after graduation.
A dying Genco begs Vito to stay with him believing that Vito will somehow stop his death.
An extended version of Jack Woltz's party for his child star, Janie.
After being thrown out by Woltz, Tom looks up and sees Janie crying and her mother push her back into Woltz's bedroom.
Connie and Carlo argue and she runs crying into Mama's arms. Sonny wants to confront Carlo but Vito tells him not to interfere.
After Tom returns from Hollywood, he discusses with Vito what he has discovered about Woltz.
Michael and Kay are in their hotel bed in New York City and don't want to go to the family compound. Michael has Kay call Tom pretending to be an operator, then Michael tells Tom that they are in New Hampshire and will be at the compound the next day.
On the way to meet Sollozzo, Luca sees the nightclub's neon sign burn out.
Sonny gets a call from a detective telling him about his father's shooting. He then tries to call Tom.
Sonny tells Mama about the shooting. He then goes into Vito's study, calls Tessio and tells him to prepare his men. He then tries to call Luca.
A quick shot of Michael driving, returning home after his father's shooting and Rocco offering to escort Michael into the house.
Michael brings Tom's wife Theresa into the study where Sonny and Tessio are. Sonny comforts her and tells them both to wait outside but Michael stays. They discuss with Michael whether Clemenza or Paulie was the traitor. Michael tries to talk Sonny out of going to war stating Vito would not want it. Then Tom returns home and hugs Theresa.
Immediately following is a quick shot of the Corleone compound that dissolves to the scene where they discuss their next course of action.
Rocco admires Clemenza's car but Clemenza complains that the bumpers are wooden due to the war effort. He then tells Rocco that he is to kill Paulie.
Clemenza has Paulie check the hideout spot. He then has Paulie make a stop so he can buy some cannoli and have a meal at a restaurant.
In Sicily, Michael and the bodyguards watch a Communist demonstration march.
While relaxing in the afternoon sun, Fabrizio begs Michael to bring him along to America when he returns.
Michael and his bodyguards visit his father's childhood home and find it abandoned.
After Connie hangs up the phone on Carlo's "girlfriend", she then confronts him in the shower. Then, Carlo orders her to make him dinner.
Bonasera is shown getting ready to return his favor to Don Vito. Bonasera tells his wife who is helping him get dressed that maybe he will be asked to be an accomplice to murder.
After the car bomb, Michael wakes up in bed surrounded by nurses and Don Tommasino. Michael tells Tommasino to find Fabrizio and he passes out.
Michael and Vito talk in the new garden after his return from Sicily. Michael takes responsibility for avenging the deaths of Sonny and Apollonia so Vito will not have to break his promise to the other Dons.
Additional dialogue when Michael removes Tom from his position as consigliere.
The final scene is Kay in a Catholic church lighting candles and praying.
Tell me a movie that is more famous than this. Tell me a movie that has had more parodies spinned off its storyline than this. Tell me one movie that has been as quoted as a much as this. The answer is you can't. No movie has had as much of an impact as The Godfather has had ever since it was released.
The acting was simply amazing, what else could you say. What could be more appealing to people(even today) than watching actors like Al Pacino, Marlon Brando, James Caan, Diane Keaton, Talia Shire and Robert Duvall. This is like heaven for someone who is a fan of movies. With this movie Brando was able to bring himself back into the limelight. His performance as the godfather alone is iconic. His character has been recreated so much in films that it has almost if it has not already become a cliché. His performance though was not a cliché. His performance was subtle and breathtaking. It was so genuine and realistic that it was not just probably but definitely more genuine than Marlon Brando himself. Al Pacino was perfect for this film as well. What a way to start up your career. His character was all about depth and he displayed it perfectly. He was able to display his own inner-battles in his mind as well as the battles he had with his family, friends and enemies. His character was more of a psychological character study than anything else to me. Robert Duvall to me was the glue to the movie. He added a different perspective to everything in just that he was not Italian yet having the respect of the mafia. His character is a man of high authority within the Corleone family who was listened to and insightful;. This was simply perfect giving the film great balance throughout. The rest of the cast was just icing on the cake.
The writing was phenomenal and breathtaking. As mentioned before there has been no movie quoted more than this. It is not even the quotes though that makes the writing in here so perfect. It is the symbolism and meaning that went into every scene. There are countless symbols, messages and lines in here that are so memorable yet it is as realistic as a movie could get.
The directing by Coppola was perfect as well. Not many movies can be 3 hours and yet maintain a good level of interest from the audience like The Godfather. Coppola deserves credit for this. The symbolism and messages that went into every scene also has to do with the directing not just the writing. The movie is so well edited and strung together that the only word that could come to my mind is perfection.
The cinematography and music were perfect. The score of this movie is one of the most memorable ever. If you were to hear it you could identify it right away. The cinematography was what actually really drove this movie. The Godfather seems to have this mystique to it, it gives you the feeling you are watching something truly remarkable.
The horse's head, the scene of Brando running with his groceries, the coffee shop scene, "I'll give him an offer he can't refuse" and countless other scenes and quotes from this movie have become a part of our culture. These scenes and lines have been recycled over and over again in comedies, commercials, etc. that it is impossible to avoid the greatness of The Godfather. The Godfather is like a disease once you see it you fall in love with it. I don't know if it is the greatest movie ever but it is definitely the most iconic film ever made.
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