The Godfather "Don" Vito Corleone is the head of the Corleone mafia family in New York. He is at the event of his daughter's wedding. Michael, Vito's youngest son and a decorated WW II Marine is also present at the wedding. Michael seems to be uninterested in being a part of the family business. Vito is a powerful man, and is kind to all those who give him respect but is ruthless against those who do not. But when a powerful and treacherous rival wants to sell drugs and needs the Don's influence for the same, Vito refuses to do it. What follows is a clash between Vito's fading old values and the new ways which may cause Michael to do the thing he was most reluctant in doing and wage a mob war against all the other mafia families which could tear the Corleone family apart.Written by
Despite having his Oscar nomination withdrawn by the Academy upon discovery that he had reused the same theme from his previous score for Fortunella (1958), composer Nino Rota was still awarded the Golden Globe, BAFTA and the Grammy for Best Original Score. Oddly enough, Rota won the Oscar for Best Original Score for the sequel The Godfather: Part II (1974), even though the score used the same love theme from the original film. See more »
The punch to Michael's face broke his cheek bone which gave him a permanent black eye (and caused his sinuses to continually run - hence the use of a handkerchief all the time) until he got back to America and had surgery to fix it (Freddie says, "that doctor did a good job.") See more »
I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a "boy friend," not an Italian. She went to the movies with him. She stayed out late. I didn't protest. Two months ago he took her for a drive, with another boy friend. They made her drink whiskey and then they tried to take advantage of her. She resisted. She kept her honor. So they beat her. Like an animal...
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Although Mario Puzo is given possessory credit at the beginning, and is credited as a screenwriter at the end, no credit is given to him on-screen as author of the original novel, even though that credit is given on the poster. This credit does appear in the second film, however. See more »
The broadcast/basic cable television version is edited for sexuality/nudity and violence. See more »
This must rank as the best film (along with part 2)of all time.An ensemble performance that has no weak spot.
Particularly, John Cazale ( Fredo) and Richard Castellano ( Clemenza) give wonderfully understated performances. You just have to believe that Castellano WAS Clemenza, he brings a real touch to his role.
John Cazale brings the troubled Fredo to life, and you can see the weak Fredo desperately trying to live up to the family reputation but knowing that he can never be what his father wants.
The story of one man's reluctance to be drawn into the murky family business,and his gradual change through circumstance, paints a vivid picture of this violent period of US history.
Do not miss this film!
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