The Godfather "Don" Vito Corleone is the head of the Corleone mafia family in New York. He is at the event of his daughter's wedding. Michael, Vito's youngest son and a decorated WW II Marine is also present at the wedding. Michael seems to be uninterested in being a part of the family business. Vito is a powerful man, and is kind to all those who give him respect but is ruthless against those who do not. But when a powerful and treacherous rival wants to sell drugs and needs the Don's influence for the same, Vito refuses to do it. What follows is a clash between Vito's fading old values and the new ways which may cause Michael to do the thing he was most reluctant in doing and wage a mob war against all the other mafia families which could tear the Corleone family apart.Written by
Michael's description of how his father launched Johnny Fontaine's singing career was not in the shooting script, nor was Fredo's introduction. See more »
When the dons meet, one of them sits back twice: once before and once after an edit. See more »
I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a "boy friend," not an Italian. She went to the movies with him. She stayed out late. I didn't protest. Two months ago he took her for a drive, with another boy friend. They made her drink whiskey and then they tried to take advantage of her. She resisted. She kept her honor. So they beat her. Like an animal...
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Although Mario Puzo is given possessory credit at the beginning, and is credited as a screenwriter at the end, no credit is given to him on-screen as author of the original novel, even though that credit is given on the poster. This credit does appear in the second film, however. See more »
The new Coppola restoration features the new Paramount logo, tinted in the iconic Godfather golden hue. See more »
The directing by Coppola was perfect as well. Not many movies can be 3 hours and yet maintain a good level of interest from the audience like The Godfather. Coppola deserves credit for this. The symbolism and messages that went into every scene also has to do with the directing not just the writing. The movie is so well edited and strung together that the only word that could come to my mind is perfection.
The cinematography and music were perfect. The score of this movie is one of the most memorable ever. If you were to hear it you could identify it right away. The cinematography was what actually really drove this movie. The Godfather seems to have this mystique to it, it gives you the feeling you are watching something truly remarkable.
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