A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
London is terrorized by a vicious sex killer known as The Necktie Murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.Written by
Col Needham <firstname.lastname@example.org>
The role of Robert Rusk was originally offered to Sir Michael Caine. He thought the character was disgusting, and said "I don't want to be associated with the part." After Caine declined the role, he later mentioned in his memoirs how Sir Alfred Hitchcock completely ignored him when they met in a hotel a few years later. See more »
When Rusk gets into the potato truck, he lowers the tailgate. After getting in, he tries to raise the tailgate, but cannot. Later on the highway, a shot from behind the truck shows the tailgate is up. When the driver stops after being told he is spilling his load, the tailgate is down again and the driver raises it and pins it shut. See more »
[discussing the tie murders]
Solicitor in Pub:
Let's hope he slips up soon.
Doctor in Pub:
In one way I rather hope he doesn't. We haven't had a good juicy series of sex murders since Christie. And they're so good for the tourist trade. Foreigners somehow expect the squares of London to be fog-wreathed, full of hansom cabs and *littered* with ripped whores, don't you think?
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The Universal Pictures logo does not appear on this film. See more »
The original UK cinema and initial 1989 CIC video releases were cut by 19 secs by the BBFC to remove shots of underwear removal and closeups of neck strangling from the murder scene. The cuts were restored in all later Universal video & DVD releases. See more »
Hitchcock did one hell of a job! I was planning on watching this movie just for about 30 minutes before going to sleep and was gonna finish watching it the next day, but instead I was so engaged that I couldn't stop watching and stayed awake the whole 2 hours. I loved the irony of the actual rapist having no clues pointing to him and the innocent man having all clues pointing to him. The scene involving the rapist in the back of the truck, rummaging through a sack of potatoes (and that's all I'll reveal) is classic suspense. I also loved how Hitchcock left the rape scenes (excluding the first one) up to the imagination. There is a great shot where one of the victims is being raped and we don't even hear any off-screen yells or screams. The camera simply tracks backwards down a staircase and out the front door, where people walk by minding their own business, ignorant to the evil that's being committed a floor above. Any amateurish director would've went for true shock value and showed all the rape scenes in explicit detail. We don't call Hitchcock the master of suspense for nothing. The scene is still quite haunting. In horror and suspense, what you don't see can be a lot more frightening than what you do see, since the imagination is a powerful thing. The last line of the movie should go down in history. It had me bawling with laughter! Just that one line gave perfect closure to this wonderful film.
My score: 8 (out of 10)
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