Eight space cargo-ships disappear without a trace within three days. And the orbit station "Margot" has suddenly fallen silent. The space council is faced with a mystery and the scientist ...
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Anthology film from three European directors based on stories by Edgar Allan Poe: a cruel princess haunted by a ghostly horse, a sadistic young man haunted by his double, and an alcoholic actor haunted by the Devil.
After a six year journey, the Spaceship Cyrno lands on the planet TEM 4 from where they had received a call for help. Strangely enough, the Temers deny having sent this message. As ... See full summary »
In London, the Italian gym teacher Enrico 'Henry' Rosseni is having a love affair with his eighteen year-old student Elizabeth Seccles, who is the daughter of the owner of the Catholic ... See full summary »
The movie is about "finite nonlinears," robots that closely resemble human beings but are even more perfect than humans. They are intended to eventually replace human beings in space ... See full summary »
Eight space cargo-ships disappear without a trace within three days. And the orbit station "Margot" has suddenly fallen silent. The space council is faced with a mystery and the scientist in charge, Maria Scholl, sees no other solution than ordering a total flight stop to this mysterious sector of space. Her colleague, Prof. Tal seems to be suspicious since he knows things before they are even released. A forbidden look into his personal file brings to light that Tal was part of the Eolomea project that never found approval of the commission in charge.Written by
DEFA Film Library
Communist East Germany. Great Filmmaking. Stellar technology and science fiction. Do these things seem to fit together in any conceivable way? No, they do not.
Why the DVD production company has the nerve to even compare "Eolomea" with the likes of Tarkovsky's "Solaris" or "2001" is beyond me. At best, this "lost classic" is more like an Austin Powers / Benny Hill rendition of a serious space epic, with a Burt Bacharach soundtrack and plenty of lava lamp space imagery. Movies like this were what "Mystery Science Theater 3000" in the 1990s was made for.
Others here have attempted to explain the storyline , which is so convoluted and fragmented throughout that there is not a shred of suspense or even empathy for the characters. Strangely enough, I still think this movie does have one important historical value: like a representation of Communism itself, it shows what at the time must have been wild scientific/philosophical idealism in its home country, but in hindsight is just robots made of ugly hunks of metal junk and astronauts with holes in their socks.
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