From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for ...
See full summary »
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
Pitch black comedy about a young nihilistic New Yorker coping with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia and ethnic-racial conflict during a typical summer of the 1970s.
Young Jenny heads to the South of England to start a new career as a school teacher. Even before she has had a chance to settle in she meets Patrick, one of the local "lads". Within a short... See full summary »
The venomous and amoral wife of a wealthy architect tries, any way she can, to break up the blossoming romance between her husband and his new mistress; a good-natured young widow who holds a dark past.
Brian G. Hutton
From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for her life in the classified ads while all about her is the rubble of an unkempt house. All she needs is the right opportunity, she says puffing on a cigarette. Poorly equipped to survive the vagaries of modern life, she has nonetheless always managed to muddle through. Ruth, epileptic and making her way through the rebellious phase of adolescence, seems doomed to make the same mistakes as her mother. Quiet Matilda, on the other hand, seeks refuge in her animals and her schoolwork. "Jesus, don't you hate the world, Matilda?" Beatrice asks her youngest daughter. The title of the film is also the subject of Matilda's science project at school and serves as a metaphor for the way life affects each of us differently -- how some are able to find opportunity in adversity and thrive and how some succumb when ...Written by
Mark Fleetwood <firstname.lastname@example.org>
Director Paul Newman told that his wife Joanne Woodward never brought her character home after shooting. Except on the making of this film, because she hated her character so much that she searched this way to get rid of her. See more »
When Beatrice arrives at her sister-in-law Caroline's house, we see Caroline and her three bridge-playing friends in one shot. Later, when Beatrice yells at her brother-in-law through the bathroom door, we see the three ladies a second time in a reaction shot. Only one of them appears in both shots, although wearing a different outfit each time. The other two card-playing friends were played by different extras in each shot. See more »
I have only seen this film once, at the Tyneside Cinema, an early arts house independent cinema in the UK. I saw the film in the year of its release. I still treasure memories of Joanne Woodward's performance as the tragi-comic loudmouth of a mother, who is desperate to do things right, but also has little time for the opinions of others. I would dearly love to see it again, but on the few occasions that I have enquired, I have been greeted by bewildered expressions from folk who plainly think that I am having them on when I mention the title. Perhaps this is an apt result, given the way that the star of the film played such an alienated role that fans of the film should now find themselves being looked at in a somewhat dubious way! To those who have not seen it, grab this powerful performance with both hands. It truly is a gem, with a fine range of emotions, and a cast that works fully together. Thank you for giving me the chance to write this.
42 of 50 people found this review helpful.
Was this review helpful to you?
| Report this